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LIMERICK COMICS

Both amusing and instructive, with broad appeal and excellent illustrations.

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Collected limericks for children ages 8 to 12 humorously present factual tidbits from science and history with comic-book–style illustrations.

In his debut book, Hoyman combines two forms that kids love—limericks and comic books—to offer one-page lessons on various subjects. Five panels, one for each line of the limerick (sometimes with additional comments from characters in word balloons), are followed by a sixth with more information. The opening limerick, for example, concerns jesters: “The jester was called by the King, / To tell a few riddles and sing. / Instead of his shtick, / He “pigeoned” in sick, / And was exiled up north of Peking.” The jester can be seen telling the beginning of a joke (“Did you hear the one about the bubonic plague?”), juggling, sending a messenger pigeon to the king while enjoying a day off fishing, and finally being tossed over the Great Wall of China. The sixth panel explains how jesters entertained kings and noblemen and what “exile” means. Other topics, in no particular order, include animals, such as anglerfish and chimpanzees; history and culture, such as the Pony Express, lamplighters, and clowns; and inventions, such as concrete. A glossary is included. Hoyman’s limericks generally scan and rhyme well, and background information is always interesting. One entry, based on what may be a true story, introduces readers to Sadie “the Goat” Farrell, a Hudson River pirate known for head-butting people. She lost her left ear—bitten off, as the sixth panel explains, by Gallus Mag, a New York City tavern bouncer. Some limericks are gross, a few didactic, and many straightforwardly informational. No sources are provided for these facts, but they seem sound; “caveman,” however, is an obsolete term. Feldman (Noah Learns To Share, 2017, etc.) varies his panels in size and distance (wide, medium, and close-up shots), giving them depth with good shadowing and a rich palette. His human figures are diverse and somewhat stylized but show expression well.

Both amusing and instructive, with broad appeal and excellent illustrations.

Pub Date: March 2, 2019

ISBN: 978-1-73281-860-6

Page Count: 34

Publisher: Time Tunnel Media

Review Posted Online: May 9, 2019

Kirkus Reviews Issue: June 15, 2019

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MARSHALL THE MIRACLE DOG

An enjoyable picture book that addresses important issues in a kid-friendly way without being preachy.

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Willenbrock’s heartwarming debut picture book is the autobiographical story of how she came to share her home with a special shelter dog.

Told from the perspective of Marshall, Willenbrock’s dog, this tale tells of his unpleasant life in the home of a dog hoarder, where food for the dogs was so scarce that they fought each other at mealtime. In one of these fights, Marshall’s front leg was broken and his face was badly bitten. When animal rescuers finally found out about the animal hoarder and took the dogs away, Marshall was in such sorry shape that they didn’t know if he would make it. He ended up losing his damaged front leg and his face remained badly scarred, yet he describes the compassion of the humane society workers who helped him learn how to walk and run on three legs. He meets his new “mom” (owner) and adjusts to a life of freedom with her and her other dog, Mooshy. Though life is good, Marshall is insecure and nervous about how other dogs and people will react to the fact that he has only three legs and a big scar on his face, but he’s pleasantly surprised by the kindness of others. Heimbaugh’s realistic colored-pencil illustrations help bring Marshall’s story to life. Due to wordiness and the use of some bigger words—celebrity, socialize, limitations—this book will most likely work better as a read-aloud with school-age children. It also lends itself to discussions about the humane treatment of animals and discussions about bullying.

An enjoyable picture book that addresses important issues in a kid-friendly way without being preachy.

Pub Date: Jan. 1, 2012

ISBN: 978-0615666259

Page Count: 40

Publisher: The Marshall Movement

Review Posted Online: Oct. 9, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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THE GIRLS OF OAK COURT

DEATH AT WHITFORD POND

Unanswered questions and heavy-handed writing drain intrigue from this not-so-spooky story.

Three friends unravel old secrets lurking beneath the surface of a picture-perfect town in this young adult mystery.

Fallon and her best friend, Blair, live in the town of Whitford, a “sort of old fashioned” place where “everyone knows everyone else.” Nothing ever goes wrong there, except for local 16-year-old girls’ penchant for drowning in Whitford Pond on their 16th birthdays. That is, nothing ever goes wrong until Blair, Fallon and their new friend Lila start investigating the drownings as part of a history project. Soon after the girls paddle out to the spooky island at the middle of the pond where its victims are buried, Fallon discovers that she’s related to the pond’s first victim: Elizabeth Mason, who was engaged to the prosperous son of the town jeweler before her supposed suicide in 1750. By poking around the town historical society and badgering Fallon’s lively grandmother, Nana, the girls realize that something sinister lurks beneath Whitford’s bucolic surface. It’s only when the trio heads to the fourth floor of Whitford’s public library in search of A Genealogy of the Noble Families of Whitford: A History that they realize their quest is putting them in danger. Blair and Fallon’s friendship feels comfortable and credible, although the addition of “exotic” Lila seems like a strained plot device rather than a real-life event. Indeed, much of the plotting is convenient rather than clever; the girls’ discoveries primarily result from pushing Nana to give them information or snooping around Nana’s house—and the developments that aren’t related to Nana are foreshadowed so heavily that they come as no surprise. Another distraction: Every time that the inhabitants of Whitford scream or emphasize a turn of phrase, Fredo uses capital letters. They’re are unnecessary, for example, when Fallon says, “I JUST HAD THE BEST IDEA EVER!”

Unanswered questions and heavy-handed writing drain intrigue from this not-so-spooky story.

Pub Date: N/A

ISBN: N/A

Page Count: 172

Publisher: iUniverse

Review Posted Online: Oct. 26, 2012

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