A page-turner of the highest order.
In Cornell’s thriller, an unprecedented discovery could invalidate much of what historians believe about humankind’s ancient past.
While on an archeological venture in Jordan, members of a private military firm excavate ancient vessels similar to those housing the Dead Sea Scrolls. The company’s CEO, Victor Finn, enlists the services of expert paleolinguist Holly Webster and former Special Ops soldier Jack Butler to not only unravel the mystery surrounding the indecipherable text inside the vessels, but to travel back to the Middle East to search for more related relics. What the group doesn’t realize, however, is the existence of the Brotherhood, a radical Islamic organization whose mission is to ensure that the accepted historical paradigms of the day are protected and that anything or anyone that challenges those beliefs is promptly destroyed. The discoveries that Webster and Butler make in the field are jaw-dropping—a drastically different history of the Israelites’ Exodus from Egypt, the translation of the original language of ancient man, the first Rosetta Stone, the unearthing of Moses’ tomb, etc. And even these revelations pale in comparison to what they ultimately uncover. But with the Brotherhood bent on destroying them and everything that the remote site has sheltered for millennia, will humankind ever know the literally earth-shattering secrets of their forefathers? The strength of this novel could also be its biggest weakness—although the Indiana Jones-like action and adventure is undeniably gets the adrenaline flowing, it’s also formulaic and, at times, predictable. But even the predictability can’t stifle the sheer audacity of this storyline; it’s apparent that Cornell had as much fun writing this novel as readers will have experiencing it. Powered by a highly intelligent, meticulously researched and provocative narrative that challenges numerous historical and religious convictions regarding humankind’s past, Cornell’s tale is a breakneck-paced, edge-of-your-seat thriller in the vein of Dan Brown’s The Da Vinci Code.
A page-turner of the highest order.Pub Date: Feb. 1, 2011
ISBN: 978-1617394317
Page Count: 356
Publisher: N/A
Review Posted Online: April 15, 2011
Kirkus Reviews Issue: May 15, 2011
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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