Sci-fi as it should be: engaging, moving, and grand in scope.

SEEING FOREVER

McCarter (Of Things Not Seen, 2017, etc.) returns with a tale of a man who defeats the limits of mortality only to question the worth of indefinite existence.

Paul Cruz once lived as a human being on 22nd-century Earth. At the time, the planet was recovering from elevated sea levels, displaced populations, and the resulting disease and wars that came with them, collectively known as the Shift. He was married to a woman named Viola, who took increasing comfort, as they grew older, in religion and its promised afterlife. Paul, however, wanted to become a “Singular” and upload his human consciousness to a technological platform called the Singularity. He did so at age 90, after learning of Viola’s death; they’d divorced some years before. After living in virtual worlds of varying quality and design for decades, Paul is now ready to settle at a place called “Home.” It’s a quaint virtual-seaside environment that feels real, even giving him the illusion of a sunburn. There, he meets a person named Simon, who has eyes that seem familiar. Paul recounts the story of how he and other Singulars once wrested their fates from the corrupt Osiris Corporation, which had been deleting people after invoking “obscure clauses in their contracts.” Paul’s history as a Singular is also entwined with the story of Hugh Rice, an architect of the Singularity who became his lover. In this quiet but far-reaching thriller, author McCarter explores the essence of what it means to be human. On worlds where one might become an animal, or even the wind, he shows how virtual existence could become “tiresome”: “If everything was THE BEST, then nothing was,” Paul narrates. McCarter doesn’t bog down the narrative with hard-science jargon, instead cleanly and clearly explaining how the upload process works: “they stop your biological functions, they take your brain apart a cell at a time, mapping each and every neuron.” The first half of the story is rather sinister, with Paul’s fellow Singulars June Grunwald and Kendall Rothschild vanishing, but concerns of the heart quickly take center stage as Paul discovers that “Love shouldn’t be contained or constrained by the accident of gender.” The ending, which brings the discussion of the afterlife full circle, hints at a sequel.

Sci-fi as it should be: engaging, moving, and grand in scope.

Pub Date: April 14, 2018

ISBN: 978-1-941153-01-7

Page Count: 182

Publisher: Little Hummingbird Publishing

Review Posted Online: April 17, 2018

Kirkus Reviews Issue: June 1, 2018

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A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy,...

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

Britisher Haddon debuts in the adult novel with the bittersweet tale of a 15-year-old autistic who’s also a math genius.

Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor’s dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he “would like to read himself”—and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears’s dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can’t stand to be touched—any more than he can stand the colors yellow or brown, or not knowing what’s going to happen next). Christopher’s father bails him out but forbids his doing any more “detecting” about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother’s “death,” his father’s own part in it—and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds—his mother. How can this be? Read and see. Neither parent, if truth be told, is the least bit prepossessing or more than a cutout. Christopher, though, with pet rat Toby in his pocket and advanced “maths” in his head, is another matter indeed, and readers will cheer when, way precociously, he takes his A-level maths and does brilliantly.

A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy, moving, and likely to be a smash.

Pub Date: June 17, 2003

ISBN: 0-385-50945-6

Page Count: 224

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2003

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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