'WHOEVER FIGHTS MONSTERS...'

A BRILLIANT FBI DETECTIVE'S CAREER-LONG WAR AGAINST SERIAL KILLERS

The FBI agent who coined the term ``serial killer'' boasts about his exploits—and for good reason. Modesty isn't Ressler's strong suit, as even the subtitle attests, but his career is packed with so many amazing episodes- -well related here with the help of Shachtman (Skyscraper Dreams, 1991, etc.)—that the chest-beating is forgivable. Ressler's major contribution to criminology has been his pioneering work in psychological profiling, which he developed by visiting prisons and talking to scores of convicted killers. His accounts here of interviews with Charles Manson, Richard Speck, Ted Bundy, John Wayne Gacy, and others are told with a fine flair for drama—e.g., of being locked in a cell with 6'9'', 300-pound mutilation-killer Ed Kemper, who, when it was clear that guards weren't answering Ressler's call to open the cell door, threatened to ``screw off'' the FBI man's head. Myriad tales of how Ressler tracked down killers complement the jailhouse yarns and offer much insight into serial killers' minds. Of primary importance is to determine whether a killer is ``organized'' or ``disorganized,'' stresses Ressler, who goes on to explain that all serial killings are classified as ``sexual homicides,'' because at their root is a ``sexual maladjustment'' that ``drives'' the ``fantasies'' that are played out in death. As deeply as Ressler gets into killers' heads, though, he refuses to reveal much of his own here, offering no explanation other than ``fascination'' and ``interest'' for why he's devoted his life to a calling so dire and soul-wearying that, as he emphasizes and as the title quote from Nietzsche concludes, one who follows it risks becoming ``a monster himself.'' Gibbering horrors brought to heel, secrets of the serial- killer unveiled: a true-crime bonanza, though a bit more self- introspection would have iced the cake. (Sixteen-page b&w photo insert—not seen.)

Pub Date: May 1, 1992

ISBN: 0-312-07883-8

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1992

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At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history...

THUNDERSTRUCK

A murder that transfixed the world and the invention that made possible the chase for its perpetrator combine in this fitfully thrilling real-life mystery.

Using the same formula that propelled Devil in the White City (2003), Larson pairs the story of a groundbreaking advance with a pulpy murder drama to limn the sociological particulars of its pre-WWI setting. While White City featured the Chicago World’s Fair and America’s first serial killer, this combines the fascinating case of Dr. Hawley Crippen with the much less gripping tale of Guglielmo Marconi’s invention of radio. (Larson draws out the twin narratives for a long while before showing how they intersect.) Undeniably brilliant, Marconi came to fame at a young age, during a time when scientific discoveries held mass appeal and were demonstrated before awed crowds with circus-like theatricality. Marconi’s radio sets, with their accompanying explosions of light and noise, were tailor-made for such showcases. By the early-20th century, however, the Italian was fighting with rival wireless companies to maintain his competitive edge. The event that would bring his invention back into the limelight was the first great crime story of the century. A mild-mannered doctor from Michigan who had married a tempestuously demanding actress and moved to London, Crippen became the eye of a media storm in 1910 when, after his wife’s “disappearance” (he had buried her body in the basement), he set off with a younger woman on an ocean-liner bound for America. The ship’s captain, who soon discerned the couple’s identity, updated Scotland Yard (and the world) on the ship’s progress—by wireless. The chase that ends this story makes up for some tedious early stretches regarding Marconi’s business struggles.

At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history lesson.

Pub Date: Oct. 24, 2006

ISBN: 1-4000-8066-5

Page Count: 464

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2006

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Apt tribute to family endurance in the face of grievous loss.

A RIP IN HEAVEN

A MEMOIR OF MURDER AND ITS AFTERMATH

A wrenching tale of a notorious murder’s long echoes for its survivors.

Cummins terms her debut “both a true crime [story] and a memoir,” intending it to celebrate the lives of her young cousins, Julie and Robin Kerry, killed during a chance encounter in the summer of 1991. Traveling with her family from Washington, D.C., to vacation with relatives in St. Louis, Cummins ruefully recalls, “I thought I was tough.” On their last night in St. Louis, her older brother Tom snuck out with Julie and Robin; the rebellious 18-year-old rookie firefighter had developed a deep emotional bond with his cousins, both lovers of poetry and social justice. The trio went to the decrepit Old Chain of Rocks Bridge, where they ran into four local young men whose friendly demeanor quickly turned savage. The men beat Tom, raped Julie and Robin, then pushed all three into the raging Mississippi River. Only Tom survived, and his family’s horror was compounded when investigators inexplicably charged him with his cousins’ deaths. Tom was held for several grueling days before a flashlight found at the scene led authorities to the real killers, who quickly implicated one another. The least culpable accepted a 30-year plea; the others received death sentences. Identifying herself by her childhood nickname “Tink,” Cummins re-creates these dark events in an omniscient third-person narrative that lends the tale grim efficiency. Although her prose is occasionally purple (“Tink’s blood turned to ice and the room started to spin out from under her feet”), she succeeds overall in acquainting the reader with the horrific toll exacted by proximity to violence. The conclusion, which examines how the cruelest of the murderers became a cause célèbre thanks to his youth, offers astringent commentary on our society’s fascination with killers, who in media coverage often overshadow their victims. Cummins’s memoir does a good job of retrieving the lives of Julie and Robin from that obscurity.

Apt tribute to family endurance in the face of grievous loss.

Pub Date: June 1, 2004

ISBN: 0-451-21053-0

Page Count: 320

Publisher: NAL/Berkley

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2004

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