The digressions into art and art history are distracting, but crime buffs will receive a painless education while they enjoy...
Entertaining, surprisingly informative memoir of an FBI agent who specialized in art thefts.
A dozen Scotland Yard agents deal with this massive, multibillion-dollar global problem. The French national police employ 30 agents, Italy even more. Since Wittman’s retirement, the FBI employs no one. With the assistance of Philadelphia Inquirer investigative reporter Shiffman, the author recounts an eventful career as the FBI’s sole art-crime specialist. He often worked undercover to trap criminals who, despite Hollywood’s romance with art thieves, tend to be lowbrow and thuggish. No intellectual or art lover, Wittman began his career in Philadelphia in 1988; almost immediately, thieves struck two major museums. With luck, tips from informants and hard work—always superior to genius in tracking stolen art—he helped recover priceless Oriental antiques and a Rodin statue. His interest aroused, Wittman took art classes, although at the time art theft was not even a federal offense. This changed after 1990 when thieves stole $500 million worth of artifacts from Boston’s Isabella Gardner Museum, the greatest property crime in American history. The author writes about several years of tortuous undercover work ingratiating himself with international mobsters who claimed to have the paintings. The investigation eventually fizzled, but police recovered several other stolen paintings. Readers will learn the mechanics of undercover work complicated by FBI superiors who were often as self-important and obstructive as the suspects.
The digressions into art and art history are distracting, but crime buffs will receive a painless education while they enjoy a lively account of art thieves and the man who pursued them.Pub Date: June 1, 2010
ISBN: 978-0-307-46147-6
Page Count: 320
Publisher: Crown
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
BOOK REVIEW
A tour-de-force of true crime reportage.
Godfrey reconstructs a horrific murder with a vividness found in the finest fiction, without ever sacrificing journalistic integrity.
The novel The Torn Skirt (2002) showed how well the author could capture the roiling inner life of a teenager. She brings that sensibility to bear in this account of the 1997 murder of a 14-year-old girl in British Columbia, a crime for which seven teenage girls and one boy were charged. While there’s no more over-tilled literary soil than that of the shocking murder in a small town, Godfrey manages to portray working-class View Royal in a fresh manner. The victim, Reena Virk, was a problematic kid. Rebelling against her Indian parents’ strict religiosity, she desperately mimicked the wannabe gangsta mannerisms of her female schoolmates, who repaid her idolization by ignoring her. The circumstances leading up to the murder seem completely trivial: a stolen address book, a crush on the wrong guy. But popular girls like Josephine and Kelly had created a vast, imaginary world (mostly stolen from mafia movies and hip-hop) in which they were wildly desired and feared. In this overheated milieu, reality was only a distant memory, and everything was allowed. The murder and cover-up are chilling. Godfrey parcels out details piecemeal in the words of the teens who took part or simply watched. None of them seemed to quite comprehend what was going on, why it happened or even—in a few cases—what the big deal was. The tone veers close to melodrama, but in this context it works, since the author is telling the story from the inside out, trying to approximate the relentlessly self-dramatizing world these kids inhabited. Given most readers’ preference for easily explained and neatly concluded crime narratives, Godfrey’s resolute refusal to impose false order on the chaos of a murder spawned by rumors and lies is commendable.
A tour-de-force of true crime reportage.Pub Date: Oct. 1, 2005
ISBN: 0-7432-1091-3
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK REVIEW
IN THE NEWS
BOOK TO SCREEN
BOOK TO SCREEN
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
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