A tight, gripping tale with a few flaws and an authentic Supreme Court setting.
A female justice scheduled to review a landmark case is threatened with blackmail.
In Chicago, a civil jury awards $100 million in compensatory and punitive damages after a smoker dies of cancer. The damages are to be borne equally by the company, Icarus Tobacco, and its executives. It’s a seminal case in that liability has been conferred not only upon the organization, but also upon its principals, which could make employment in the industry a crime. In D.C., the U.S. Supreme Court convenes and agrees to “grant cert”—i.e., judicial review—of the case Icarus v. Burke, which, in the words of one justice, sets a “dangerous and pernicious precedent.” The nine justices are of various ages and persuasions, including a Hispanic chief justice and the court’s first African-American female justice, Aurora Sims. President Cray, assisted by his henchmen, does his unethical best to ensure a pro-tobacco resolution. The greatest pressure is on 39-year-old Aurora, whose personal history yields some compromising photos that make her an ideal target for blackmail. But Icarus’ benefactors may be flying too close to the sun. The story is crisp and well-written, and the legal analysis of the case, along with the motivations and proclivities of the justices, has a ring of truth. Aurora, whose quiet beauty and gentility mask the steel beneath her skin, isn’t going down without a fight. Pacing is even, as the author touches on each of the justices, as well as the actions of an opportunistic intern. There’s plenty of material to mine, including sexual harassment, an extramarital affair, emotional and mental instability and betrayal. On the downside, the character of scheming President Cray approaches caricature; the surname of a minor character changes from page to page; and at times, closing quotes are omitted in the dialogue. Still, the story is strong, particularly its theme that a woman’s indiscretion carries much more weight than her male counterpart’s.
A tight, gripping tale with a few flaws and an authentic Supreme Court setting.Pub Date: May 2, 2012
ISBN: N/A
Page Count: 325
Publisher: CreateSpace
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Review Program: Kirkus Indie
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A volume of poetry that shines when focused on the author’s experiences of race and culture.
A collection speaks in part to the poet’s Mexican-American heritage.
In these multifaceted poems, Mexico-born, Houston-raised Salazar (Of Dreams and Thorns, 2017) explores general human themes like love and war in addition to specific experiences as a person of color. The book begins with a sensual meditation on desire, featuring luscious descriptions of a lover, from lips “moist like youth” to the body’s “softest velvet” slopes. The poems shift to odes to cultural icons like the Tejano star Selena and Mexican-German painter Frida Kahlo as well as occasion pieces honoring his brother’s 40th birthday and a friend’s mother’s memorial service. The author hits his stride when he delves into identity. In “I Am Not Brown,” he contemplates the societal implications of skin tone and his inability to fit into the rigid category of Caucasian or Latino. “For white and black and brown alike / Are slaves to history’s brush strokes,” he writes. “Grateful for the Work,” perhaps Salazar’s loveliest poem, catalogs the day of a laborer, starting with an early morning awakening and following him as he toils in 100-degree heat, enjoys tacos from his lunch pail, buys beverages from a child’s lemonade stand, and returns home to an equally hard-working wife. The author then makes an abrupt turn toward Syria in a series of poems that condemn that country’s president, Bashar Hafez al-Assad. They serve as a rallying cry for Syrians and grieve for the murdered masses. Salazar’s closing poem, “Sons of Bitches,” is a clunky rant about a 20-year-old immigrant shot in the head by a U.S. Customs and Border Patrol agent. The gratuitous violence and political theologizing are ill at ease with the intimate, personal experiences that preceded them, such as the fablelike “A Mexican is Made of This,” in which Salazar beautifully describes the “rainbows, bronze, backbone, butterflies” that his people embody.
A volume of poetry that shines when focused on the author’s experiences of race and culture.Pub Date: Aug. 1, 2018
ISBN: 978-0-9991496-3-8
Page Count: 166
Publisher: Bronze Diamond Productions
Review Posted Online: Sept. 27, 2018
Review Program: Kirkus Indie
BOOK REVIEW
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