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WHITEWASH

The dollar is as mighty as the sword in this well-researched, far-reaching saga.

A thriller set in the period from WWII to the fall of the Soviet Union blends finance, politics, love, and survival.

In Landori’s sprawling novel, which relies heavily on flashbacks to provide backstory and uses many international locales, much of the action takes place during the Cold War. A helicopter crash leaves intelligence agent Tom Karas with a new face and a new identity, allowing this “talented amateur” to serve his spymasters in a new way—and for him perhaps to begin a new life. Possessing extraordinary business acumen, Karas now fights with money instead of bullets—but a war of any kind eventually calls for guns. Karas is reborn as Alejandro Samos, a successful private banker in Panama. His mission is to become a player in the secretive world of private banking and money laundering and bring down or influence the criminals, communists, and revolutionaries (or shareholders) who benefit from them. A survivor of Nazi-occupied Hungary, some of Karas’ most essential skills have nothing to do with currency. There will always be “the ten-year-old boy living inside him who survived the hardscrabble existence in post-war Budapest.” Because of this, there isn’t a scrape or jam he can’t escape, whether it’s a Cuban prison or an attempted hit, save for one: himself. He loves and trusts nobody. These character flaws keep him both wary and breathing, and except for brief encounters, it would best for everyone if he kept his distance from any romantic prospects. There’s not much weaponry used here; instead, we have a bit of common sense and spycraft. We also have a fictional exploration of how complicated and shady the international finance system can be—and Karas learns that the people who use and benefit from this dark system can be surprising. The financially challenged may struggle with numbers and schemes, but gawking at the lavish lifestyles of the corrupt international elites is highly entertaining.

The dollar is as mighty as the sword in this well-researched, far-reaching saga.

Pub Date: Nov. 9, 2021

ISBN: 978-1-03-910466-2

Page Count: 732

Publisher: FriesenPress

Review Posted Online: Jan. 28, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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