An insightful, accessible examination of the way in which day-to-day speech is tangled in a complicated web of history,...
A wide-ranging study of language, including the various political dimensions involved in how and why certain languages gain prestige while others become extinct.
How have industrialization and nationalism shaped language variation worldwide? Is the writing system a natural outgrowth of speech, or can it simply be changed by government edict? Is there really one correct way of speaking English? Is the French language being threatened? Are Chinese characters really based on pictographs? These are just a handful of the many intriguing questions, issues and “linguistic myths” that Economist contributor Greene investigates in this fascinating glimpse at the global politics of language variation. Essentially, the book is a course in sociolinguistics and modern international language politics for the layperson. The author, who speaks nine languages, begins by dispelling a variety of language myths that are pervasive and, to the chagrin of many linguists, seemingly unshakeable—that some languages are more primitive than others, that the Qur’an cannot be translated from Arabic, or that the Maori of New Zealand have 35 words for dung. Greene also exposes grammar sticklers—people who are obsessively determined to “purify” language and who are nostalgic for a linguistic utopia that never existed—for the persnickety and curmudgeonly group they really are. The author blends personal narrative, reportage and humor with linguistic analysis, historical research and political punditry, and he surveys some of the most significant issues concerning language today, including the ethnocentrism involved in some English-only activism in America, as well as the draconian—and largely unsuccessful—measures of the French Academy to keep French free of English words. Greene correctly demonstrates that language change, language variety and cross-language borrowing are “highly regular” and, in fact, part of the natural evolution of all languages.
An insightful, accessible examination of the way in which day-to-day speech is tangled in a complicated web of history, politics, race, economics and power.Pub Date: March 8, 2011
ISBN: 978-0-553-80787-5
Page Count: 336
Publisher: Delacorte
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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