Whimsical, bittersweet debut about a quixotic 1934 road trip to the Chicago World's Fair, recalled by a curmudgeonly retiree who learns of love and loss when the adventure turns sour. Hoping to glimpse the wonders of the modern era and lose their virginity in a Chicago brothel, Ace Gilbert and Will Randall, two fatherless 18-year-old buddies, take off from Bennett's Corners, Ohio (``a place where six roads come together like slices in a pie''), in a Model T equipped with faux airplane wings and a propeller mounted on the radiator. In the backseat is Will's younger brother, Clyde, a last-minute addition suffering from an earache. Gilbert, the narrator, is the son of a WW I fighter pilot and imagines himself soaring above the flat, forlorn landscape of the Depression-era Middle West until the trio meets up with the smartly dressed, shotgun-toting highway- robber Gus Gillis and his comely moll, Gladys Bartholomew. Gus is obsessed with the legend of recently murdered Texas highwayman Clyde Barrow (of Bonnie and Clyde fame) and has set off on his own comically inept journey into crime, hoping to achieve immortality by dying in a hail of bullets while Gladys trusts that her as yet unlaunched career as a radio star will benefit from Gus's nascent notoriety. Gus hijacks a crop duster, and, with Gilbert piloting and Clyde cringing in the back, departs on an aerial crime spree, leaving Will with sexy Gladys. Things get nasty when the gang takes over a radio station and Gus grabs a microphone to bait corrupt Sheriff Orville Barnes to come after him. Barnes and FBI slime Norman Pruitt exploit Gus's misguided lust for fame, turning what began as reckless adolescent irreverence into a violent nightmare that leaves one of the boys dead. Abruptly shifting passages of featherweight cuteness, wistful nostalgia, and foreboding disaster make for a bumpy flight, but Levandoski's search for meaning in meaningless tragedy is heartfelt.
Pub Date: Dec. 1, 1997
ISBN: 1-877946-98-2
Page Count: 208
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
