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A Smile at Twilight

A sensitive recollection about chauffeuring; Driving Miss Daisy light.

A retiree signs up with a “Seniors Helping Seniors” agency and starts assisting a cantankerous elderly woman afflicted with Alzheimer’s disease.

With co-writer Yetman, debut author Loyst chronicles his experiences of chauffeuring and assisting Poppy, an 80-year-old headstrong woman in the early stages of Alzheimer’s. From the start, there are warnings about her feistiness; a woman at the agency remarks that everyone who has been sent to fill the job has been rejected (“You could be our last hope”). But kind, unflappable Loyst finds himself intrigued rather than deterred. His job interview at Poppy’s home is so swift and unremarkable that Loyst becomes amusingly mystified when he is hired on the spot. Though she must rely on him to drive her everywhere, she initially retains plenty of independence. But as Poppy’s faculties diminish, she allows Loyst to do more for her, and as he accompanies her everywhere, he tries to gauge her disease’s progression. Soon she loses keys and contact lenses and grows angry and impatient with caretakers, doctors, and the butchers at the grocery. He forms a comaraderie with her caretaker Emma as they try to handle the increasingly persnickety Poppy. He’s pleased when Poppy’s children trust him to have a voice in decision-making. Most biographies about Alzheimer’s patients recount the care of a familial loved one. But Loyst’s book stands out as he navigates how to gently handle a woman whose dementia grows worse while he wonders who she was before the disease began to set in. Loyst, a deft peacemaker, always tries to let Poppy make her own decisions—or when necessary, allows her to think she’s making them. Overall, the book’s a mixed bag, with charming vignettes and dashes of humor. But there are also dollops of unnecessary details—such as the kind of vegetables and meat that Poppy buys. Still, Loyst’s description of accompanying Poppy on their final trip to place her in a nursing home is positively heart-wrenching. Though Poppy shows appealing spunk and resilience, the story becomes more about the modest Loyst, with his deep well of kindness, sensitivity, and loyalty.

A sensitive recollection about chauffeuring; Driving Miss Daisy light.

Pub Date: Nov. 13, 2015

ISBN: 978-1-4602-6118-7

Page Count: 192

Publisher: FriesenPress

Review Posted Online: March 18, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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