by Robert Luxenberg ‧ RELEASE DATE: April 29, 2019
A straight-talking and constantly uplifting motivational manual.
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A personal and professional guide to achieving financial success.
The goal of real estate investor Luxenberg’s (co-author: Unlocking the Secrets, 2011, etc.) book is to shift his reader’s relationship with money—specifically, from being resigned to low-income status to being ready to succeed: “The difference between making $50,000 a year and $1 million a year is awareness,” Luxenberg writes. “Your mindset is the key ingredient to becoming wealthy. It is also the only thing holding you back.” The author spent 47 years on “the corporate fast track” as a real estate agent, he says, before he turned to real estate investing, and he credits his subsequent success mostly to a change in attitude: “your thoughts should be supportive of the reality you’re trying to create.” A recurring piece of advice is to see potential obstacles as opportunities, and the author includes many anecdotes of friends and business partners who were limited only by excessive caution. Luxenberg also points out that “A lot of new millionaires aren’t any smarter than you, and many didn’t go to school.” Still, readers are warned to do their financial homework when entering the real estate investment world by, for instance, reading up on city and state tax regulations and how to structure contracts. Overall, the book is written with a clear and vigorous prose style that’s direct, unadorned, and consistently encouraging throughout. For the most part, the advice that Luxenberg imparts in this upbeat guide is straightforward and common-sensical: Set aside money for savings, surround yourself with positive people, network in person with like-minded people, be careful around greedy people, and so on. However, the author’s most basic insistence is one that he often repeats—that your mind is the most powerful tool you possess, and your attitude is the key to changing your financial future.
A straight-talking and constantly uplifting motivational manual.Pub Date: April 29, 2019
ISBN: 978-1-5445-0164-2
Page Count: 292
Publisher: Lioncrest Publishing
Review Posted Online: June 6, 2019
Review Program: Kirkus Indie
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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