Well-crafted, unorthodox take on the story of Isaac and his kin.



The dramatic extrapolation of an ancient story.

Bassett takes up the tale of the biblical Isaac, or Ishak, in his young adulthood. A sensitive, intelligent boy struggling to find his place in the adult world, Ishak is a familiar character to those versed in his Old Testament story. However, Bassett takes the slight personality traits only hinted at in the Bible and expands them into a fictional world of the ancient Near East. In Bassett’s version, Abram becomes a violent prophet, prone to rage and leading his people by a mixture of extreme gravitas and occasional cruelty. His wife Sarah is a bitter, conniving woman succumbing to old age. Servant Eliezar is good-hearted but basically weak. And son Ishmael has the natural leadership qualities to rival the father who once sent him away. Together these and many other characters play out an epic story against a backdrop of intrigue, violence and magic. Indeed, even in Abram’s realm this is not the monotheistic world one would expect, but rather one steeped in the reverence of ancient gods such as Enlil, and the fear and hope in all things supernatural, including Abram’s God, but far from exclusively so. Even Abram himself, though a prophet and dedicated to the God who speaks to him, is surrounded by a mystical, magical worldview that he both deals with and feeds from. Bassett has a unique writing style that makes the reader more clearly imagine an ancient oral storyteller rather than a modern fictional account. He is also able to turn a clever phase here and there (“the miasmic exhalations of two old women, brined in resentment and secret vice.”). Some readers will balk at the license Bassett takes with the biblical account and his rather unflattering portrayal of Abram, father of three great world faiths. However, as a piece of fiction the book is readable, believable and entertaining.

Well-crafted, unorthodox take on the story of Isaac and his kin.

Pub Date: Jan. 29, 2010

ISBN: 978-1441587053

Page Count: 346

Publisher: Xlibris

Review Posted Online: July 23, 2010

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.


A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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