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THE NAZI WAR ON CANCER

A fascinating look at German contributions to the study of cancer. Nazi doctors are known for the cruel human experiments they conducted on concentration camp inmates, their euthanasia program, and their willing participation in the selection process at the death camps. Proctor (History of Science/Pennsylvania State Univ.) detailed some of this hideous behavior a decade ago in Racial Hygiene (1988). Here, he makes a major contribution to our knowledge of the other side of Nazi medicine, the study of disease. Proctor’s account is well-researched and richly illustrated, and he delineates carefully documented facts in fluid prose. But the book is marred by an unclear argument exemplified by its deceiving title. Its actual subject is German research surrounding the cause, prevention, and cure of cancer, not just under the Nazis, but from the late 19th century through the early Cold War period. This includes the leading role German scientists played in diagnosing and fighting occupational hazards that caused cancer, in particular the proof they marshaled in the 1940s that smoking cigarettes caused lung cancer. Efforts to improve health through bans on smoking and alcohol were encouraged in the more racially and hygienically conscious circles of the Nazi hierarchy, especially the SS. Yet war shortages and stress led many Germans at home and at the front to booze it up and fill their lungs with smoke; Proctor never explains sufficiently why a health-obsessed totalitarian regime so seemingly effective in policing its citizenry allowed its Volk to indulge in liquor and cigarettes. He only vaguely touches on the complex nature of life under Nazism (explored by many scholars during the past two decades) and ventures onto shaky ground when discussing the relation of medical researchers to the greater society. Despite its shortcomings, an important, instructive book that expands our knowledge of the role medical researchers played in Hitler’s Germany. (39 b&w illustrations)

Pub Date: May 1, 1999

ISBN: 0-691-00196-0

Page Count: 365

Publisher: Princeton Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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