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THE HOT COUNTRY

Kit is such an ingratiating narrator that you almost forget how unthrilling his larky debut is. Maybe the planned series can...

Prolific Pulitzer Prize winner Butler (A Small Hotel, 2011, etc.) casts his net in distinctly shallower waters when he follows the adventures of a brash American journalist in 1914 Mexico.

Revolution is raging, as usual, when Christopher "Kit" Marlowe Cobb arrives in Mexico to interview Gen. Victoriano Huerta. Preoccupied with the rebels Emiliano Zapata and Venustiano Carranza, el Presidente declines to speak with the press after all. By that time, however, an international incident is brewing between Mexico and the U.S., and Kit figures there’ll be plenty of work of one sort or another for him and his Underwood. So he’s already on the alert when oompah band musician Gerhard Vogel suddenly reveals himself as an American spy who shares Kit’s interest in the question of why the German ship Ypiranga has disgorged sinister “businessman” Friedrich von Mensinger and a number of his countrymen and loosed them on Vera Cruz. Tearing himself from his abortive pursuit of Luisa Morales, who washes his clothes but refuses to provide other services, Kit joins Vogel in his investigation of Mensinger only to find himself working alone when Vogel’s throat is cut. Acting with more decisiveness than prudence, Kit pinches the passport from Vogel’s corpse and prepares to follow Mensinger to Coahuila, where strongman Pancho Villa reigns supreme. There’ll be more subdiplomatic shenanigans, more violence (Kit ends up killing four men), and, yes, more romance before Kit, home again in Chicago, receives a letter from President Wilson that sends him back to Mexico for a coda that seems oddly tacked on.

Kit is such an ingratiating narrator that you almost forget how unthrilling his larky debut is. Maybe the planned series can provide him with adventures more worthy of his steel.

Pub Date: Oct. 2, 2012

ISBN: 978-0-8021-2046-5

Page Count: 336

Publisher: Mysterious Press

Review Posted Online: Aug. 20, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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