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PORT ROYAL

A dense, engrossing read for those who love to unravel the gossamer threads of a political mystery.

Awards & Accolades

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Polevoi’s debut period piece uncoils intersecting narratives about 17th-century political intrigue, naval warfare and love in the West Indies.

Sir Henry Morgan, a legendary privateer, is elevated to the position of Royal Governor of Jamaica. Apoplectic with resentment over the indignities heaped upon him by his King, Morgan conspires to consolidate control over the lucrative but illicit privateering trade by assembling a military force that answers only to him. He sends Captain Michael Scot to Darien country, a remote jungle territory in Panama ruled by Indians but recently overtaken by Spaniards because of its reported abundance of gold. Morgan’s hope is that the glory and financial windfall of the expedition will aggrandize his political clout. Meanwhile, he enlists the help of Jamaica’s Chief Justice Roger Dawkins to parry with his political adversary, the formidable Sir John Black. Dawkins quickly becomes embroiled in a shadowy world of misdirection, subterfuge and murder. To further muddy already turbid waters, Dawkins is courted by wealthy sugar plantation heiress Lily Barton, whose interest in him is both romantically and politically motivated. Dawkins, however, ends up sexually entangled with Barton’s most trusted slave. All these intertwined narratives lead to an explosive and unpredictable skein of conclusions. Polevoi provides stirring depictions of naval combat and a thoughtful meditation on the complexities of martial honor. The book is painstakingly researched and it vividly portays the historical and cultural milieu crucial to its telling. However, the arresting story is too often weighed down with gratuitously baroque prose and excursions into distracting psychoanalysis of its characters. Rather than allow the reader to draw his own inferences, Polevoi insists on coupling every moment of narrative significance with his own protracted commentary. An edit for brevity would be useful. Nevertheless, the story itself is a compelling one and the writing is sometimes nimbly and inventively descriptive. Impressive reflections on the relations between men and women and the tempestuous issue of slavery manage to be insightful without descending into the didactic.

A dense, engrossing read for those who love to unravel the gossamer threads of a political mystery.

Pub Date: Jan. 19, 2012

ISBN: B00700A6I4

Page Count: 618

Publisher: Amazon Digital Services

Review Posted Online: March 19, 2012

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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