A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.

MORTE

A war novel/religious allegory about cats, dogs and giant ants driven by a hive mind. Yes, really.                    

So, let’s imagine W. Bruce Cameron’s silly and maudlin A Dog’s Purpose recast as a violent and frightening post-apocalyptic global battle for the souls of Earth’s survivors, layered with a messiah prophecy that makes The Matrix look simplistic by comparison. If that’s a bit much, maybe just think Animal Farm re-imagined by Orson Scott Card. Either way, you end up with this devilishly entertaining debut about anthropomorphized animals caught in a conflict between an invading army of insects and the planet’s few remaining humans. The novel begins from the point of view of Sebastian, an aloof but observant house cat whose only true companion is a dog named Sheba. Through animal eyes, he describes Earth’s descent into chaos as giant ants—that’s Hymenoptera unus to you—break through the planet’s crust to wreak havoc on human civilization. At the heart of their plan is the decision to release a virus that gives all animals self-awareness, a bipedal structure and better-than-human intelligence. After the change, Sebastian recreates himself as the cat-warrior Mort(e), the hero of a breakaway army called The Red Sphinx. “Don’t you all know who this is?” says his superior to a new crop of recruits. “This is Mort(e). The hero of the Battle of the Alleghenies. The Mastermind of the Chesapeake Bridge Bombing. The crazy bastard who assassinated General Fitzpatrick in broad daylight. This choker was killing humans before some of you were born.” After a while the story gets kind of messy with a memetic virus called “EMSAH,” the aforementioned prophecy and the preordained battle to end all wars, but it’s still awfully good sci-fi that imagines a world where humans are no longer at the top of the food chain.

A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.

Pub Date: Jan. 20, 2015

ISBN: 978-1-61695-427-7

Page Count: 368

Publisher: Soho

Review Posted Online: Nov. 6, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

A BLIGHT OF BLACKWINGS

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE NIGHT CIRCUS

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.” Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

 

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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