by Robert Snedden & illustrated by Tim Oliver ‧ RELEASE DATE: Feb. 1, 1998
From ship to shore, readers follow maps and mazes to trace the routes of an array of famous explorers—Buzz Aldrin, Roald Amundsen, Neil Armstrong, Leif Eriksson, Vasco da Gama, and Marco Polo among them. Lands to settle and goods to trade spark the impetus for ten chronological journeys of discovery across a millennium; two spreads are devoted to each explorer, introduced with an interactive maze activity that parallels the idea of the unknown, uncharted territory, complete with obstacles hindering the traveler. Readers must navigate sea monsters and treacherous rocks in the time of Ferdinand Magellan, collect plant specimens for Captain James Cook, and avoid angry natives and coral reefs en route with Christopher Columbus. A flip of the page presents a brief capsule of the explorer's historic route in a series of numbered paragraphs that correspond with points on the map, including an answer key specific to each maze. Bright, eye-catching illustrations feature sea-faring themes as well as indigenous flora and fauna. The glib, oversimplified approach (Eriksson was banished from Norway for ``killing someone,'' and ``also thrown out of'' Iceland) makes this less useful for in-depth research and report writing, but attractive to armchair explorers. (Nonfiction. 8-12)
Pub Date: Feb. 1, 1998
ISBN: 0-7613-0287-5
Page Count: 40
Publisher: Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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by Robert Snedden & photographed by Oxford Scientific Films
by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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by Neil Gaiman ; illustrated by Various
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by Neil Gaiman ; illustrated by Chris Riddell
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by Neil Gaiman ; illustrated by Divya Srinivasan
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