For families wishing to discuss the pandemic, this timely tale works as a conversation starter.
In this picture book, a poem about the Covid-19 world invites readers to answer questions about their own experiences.
Beginning a poem with a familiar Valentine refrain about roses and violets, Stern’s narrator claims to have crafted the piece due to having “nothing to do / … / You can blame all of this / on the Corona flu!” The narrator chronicles the start of the Covid-19 pandemic through the stockpiling of toilet paper and lockdowns. The poem briefly mentions political divides but focuses more on the emotions and doubts experienced by families during the ordeal. Beneath several illustrations, the author leaves blank lines for readers to answer questions about their own thoughts and feelings as well as including lined pages at the end of the book for more elaborate memories to be recorded. Though Stern mixes up two viruses (coronavirus and the flu) for the sake of the rhyme in his opening, the stanzas scan well and the vocabulary is accessible. The questions seem designed to be used in conversations between parents and their elementary or middle school children. Hill is a political cartoonist. It makes sense that the humorous illustrations here feel like newspaper political cartoons. Along with offering some satirical images (the line for toilet paper stretches down a city block), Hill captures the uncertainty faced by one (pale-skinned) family with sensitivity. Other illustrations of larger groups feature a more diverse population.
For families wishing to discuss the pandemic, this timely tale works as a conversation starter.Pub Date: N/A
ISBN: N/A
Page Count: 32
Publisher: Self
Review Posted Online: Sept. 17, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts.
From a Caldecott and Sibert honoree, an invitation to take a mind-expanding journey from the surface of our planet to the furthest reaches of the observable cosmos.
Though Chin’s assumption that we are even capable of understanding the scope of the universe is quixotic at best, he does effectively lead viewers on a journey that captures a sense of its scale. Following the model of Kees Boeke’s classic Cosmic View: The Universe in Forty Jumps (1957), he starts with four 8-year-old sky watchers of average height (and different racial presentations). They peer into a telescope and then are comically startled by the sudden arrival of an ostrich that is twice as tall…and then a giraffe that is over twice as tall as that…and going onward and upward, with ellipses at each page turn connecting the stages, past our atmosphere and solar system to the cosmic web of galactic superclusters. As he goes, precisely drawn earthly figures and features in the expansive illustrations give way to ever smaller celestial bodies and finally to glimmering swirls of distant lights against gulfs of deep black before ultimately returning to his starting place. A closing recap adds smaller images and additional details. Accompanying the spare narrative, valuable side notes supply specific lengths or distances and define their units of measure, accurately explain astronomical phenomena, and close with the provocative observation that “the observable universe is centered on us, but we are not in the center of the entire universe.”
A stimulating outing to the furthest reaches of our knowledge, certain to inspire deep thoughts. (afterword, websites, further reading) (Informational picture book. 8-10)Pub Date: Sept. 1, 2020
ISBN: 978-0-8234-4623-0
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
PERSPECTIVES
PERSPECTIVES
A good overview of this complex, essential organ, with an energetic seasoning of silliness.
An introduction to the lead guitar and vocalist for the Brainiacs—the human brain.
The brain (familiar to readers of Seluk’s “The Awkward Yeti” webcomic, which spun off the adult title Heart and Brain, 2015) looks like a dodgeball with arms and legs—pinkish, sturdy, and roundish, with a pair of square-framed spectacles bestowing an air of importance and hipness. Other organs of the body—tongue, lungs, stomach, muscle, and heart—are featured as members of the brain’s rock band (the verso of the dust jacket is a poster of the band). Seluk’s breezy, conversational prose and brightly colored, boldly outlined cartoon illustrations deliver basic information. The brain’s role in keeping the heart beating and other automatic functions, directing body movements, interpreting sights and sounds, remembering smells and tastes, and regulating sleep and hunger are all explained, prose augmented by dialogue balloons and information sidebars. Seluk points out, importantly, that feelings originate in the brain: “You can control how you react…but your feelings happen no matter what.” The parodied album covers on the front endpapers (including the Beatles, Pink Floyd, Green Day, Run DMC, Queen, Nirvana) will amuse parents—or at least grandparents—and the rear endpapers serve up band members’ clever social media and texting screenshots. Backmatter includes a glossary and further brain trivia but no resources or bibliography.
A good overview of this complex, essential organ, with an energetic seasoning of silliness. (Informational picture book. 6-8)Pub Date: Oct. 1, 2019
ISBN: 978-1-338-16700-9
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
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