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ENEMY QUEEN

A hilarious dark comedy that explores the nature of friendship through the lens of sexual licentiousness.

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Two roommates—an attorney and a professor—share a young woman sexually, a sordid arrangement that turns dangerous in this novel.

Stanley Berman and Thomas McClellan both work at North Carolina University—the former as its head attorney and the latter as a professor of creative writing in the English department. They’re also roommates joined by a profound but lighthearted sense of camaraderie—they spend their days drinking fine wine, playing chess, and gamely arguing “like an old married couple.” Both are romantically unattached—in fact, Stanley is twice divorced, and Thomas thrice. Sexually frustrated, Thomas concocts a peculiar plan, a way to consummate their friendship heterosexually, not platonically. He’ll find them a “go-between,” a young woman they can both bed and, by some incestuous transitivity, sleep “with each other through her.” Ideally, she would move in and keep house, too. Astonishingly, Thomas finds someone: Victoria Templeton, a beautiful, vivacious young woman who aspires to be a “lady writer.” She audits Thomas’ writing class and quickly becomes embroiled in a bizarre sex triangle with the two men, the increasingly inventive choreography of which is amusingly described by Goldstein (The Swami Deheftner, 2013). But their arrangement starts to sour when the two friends both tire of her quirks and then become frightened by her domineering narcissism. She compels them to wear “chastity devices” to prevent them from masturbating. Deciding she’s “deranged,” they plot to get rid of her but anxiously worry how she’ll respond, especially after she issues a thinly veiled threat: “If people found out that a tenured professor and the university counsel were doing this kind of threesome with a young woman, don’t you think they’d find it inappropriate?” The author’s humor is as deliciously subversive as Thomas considers himself to be—raunchily funny and psychologically daring. In addition, the relationship between the two protagonists—despite the boundaries it luridly transgresses—is brilliantly wholesome, even touching. Each paragraph of the story is as unpredictably peculiar as the next—the plot is a tantalizingly original puzzle, dramatically gripping, erotically electric, and satisfyingly weird.

A hilarious dark comedy that explores the nature of friendship through the lens of sexual licentiousness.

Pub Date: May 12, 2020

ISBN: 978-1-68463-026-4

Page Count: 320

Publisher: SparkPress

Review Posted Online: May 22, 2020

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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