This work remains a striking world unto itself; a highly entertaining and thought-provoking read.

FUNHOUSE

An author rolls several compact books into one.

Vaughan (Rift, 2015, etc.) divides his work into four sections: a set of flash fiction titled “Flashes/Balloon Darts”; a series of shorts with portraits evoking Edward Gorey’s The Gashlycrumb Tinies called “Another Brick In the Wall/Hall of Mirrors”; experimental poetry inspired by female musicians labeled “Divas/Tunnel of Love”; and a segment of brief fiction named “Shorts/Ferris Wheel.” What these parts mostly have in common is Vaughan’s sense of character, the ability to reveal just enough about his creations to make them seem fully rounded, sometimes in just a few sentences. “Our First Date” is eight sentences spaced out on eight lines, but there’s so much to unpack. The twist comes in line four, when the narrator’s despair boils over because he can never see his children again. And by line eight, that emotion has been tamped down to polite agreement. No reason is given for the separation, whether it’s a legal matter or the children have died. The piece shows a remarkable range of emotions in what takes just seconds to read. The “Another Brick” series is charming, much in the vein of its muse. Vaughan is incredibly efficient at worldbuilding, and by the end of the section, it feels as though readers have gotten to know a community of kids, one for each letter of the alphabet. The “Divas” poems are evocative, each one starting out with a name, a birth year, and a set of lyrics and then delivering what feels like the author’s immediate reaction to the music. Sometimes words from the lyrics echo in poems, and repeated lines about rubbing off dead skin and being told not to hug emerge as readers work their ways through. Vaughan keeps readers guessing from section to section and piece to piece. He’ll follow the story of a relationship from courtship to engagement with a brief horror tale and, a few pages later, a one-paragraph singles ad.

This work remains a striking world unto itself; a highly entertaining and thought-provoking read.

Pub Date: Dec. 29, 2016

ISBN: 978-0-9983090-1-9

Page Count: 260

Publisher: Unknown Press

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: July 15, 2017

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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