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FIRE BONE!

A MAVERICK GUIDE TO A LIFE IN JOURNALISM

Though it could probably be a good 100 pages shorter, Bone’s memoir is served with verve and good humor.

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The author, a veteran journalist and travel writer, looks back on his long career.

A few decades ago, Hunter S. Thompson, Mr. Gonzo himself, told Bone (Maverick Guide to Hawaii, 2009, etc.) he should write a book. And so, eventually, he did. Thompson and Bone met when they worked together at the Middletown Daily Record in the 1950s. The author’s stint at the Record also provided the title of his book. An uptight publisher who was displeased about something Bone did shot off a memo to Bone’s boss. It consisted of two words: “Fire Bone.” The editor sent a memo back: “Bone stays.” The Record was the first of many places the author worked during his long and varied career. He found a spot for himself at the Buffalo Courier-Express, the San Juan Star, the New York Post, Popular Photography Magazine, and the Honolulu Advertiser (to name a few). Having gotten a taste for travel writing while working for Temple Fielding’s string of guidebooks, the author transitioned into his own travel series, published under the rubric, “The Maverick Guide to....” Oddly, Bone’s chapters on his travel adventures are less interesting than his anecdotes about working for the Time-Life Book Division in the early ’60s. The stories have a lively Mad Men vibe—a tribute to the three-martini lunch, the New York blackout of 1965, Chumley’s in Greenwich Village, etc. One of his best tales is about the so-called “thinking desk,” Time-Life’s version of an elephant graveyard. It’s where editors deemed superfluous to the organization are “promoted.” In those paternalistic days, the company couldn’t bring itself to fire these old-timers. Typically, the employee would stay until he couldn’t stand it anymore. His resignation would usually consist of corporate euphemisms such as he would like “to spend more time with his family” or “to return to his first love, freelance writing.” Bone has a fine memory; he even remembers the names of his high school barbershop quartet members. And he can make a good story out of almost anything, including his final days at the Honolulu Advertiser. (He resigned after 13 years.) The book could probably use less about his pre-journalism days and more of his escapades in Manhattan. Still, he’s an entertaining writer who, as they say, has seen it all. And written about a lot of it.

Though it could probably be a good 100 pages shorter, Bone’s memoir is served with verve and good humor. 

Pub Date: July 5, 2014

ISBN: 978-0-9905091-0-3

Page Count: 348

Publisher: Peripety Press

Review Posted Online: July 5, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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