A lyrical, sad and beautifully rendered story about the power of family love and the intrusions of time, place and history that can cut it short and cut it off, by the author of Boundaries (1979) and the widely praised collection of short stories Blood Relations (1977). Liselotte Hurwitz, for whom family has the highest value, seems to have enjoyed a happy childhood: she was born beautiful and gifted; she spent her early years as the privileged daughter of a famous medical doctor in Vienna; her parents escaped the Nazis early and settled in a pretty Westchester town on the banks of the Hudson River, where they prospered. Later, Lise marries and has a seemingly happy family of her own. But in 1955, when her son Arthur (named after her much-loved father) dies of polio, Lise unravels. The doctors' refusal to believe that Arthur has come down with the most serious strain of the polio virus, a disbelief that causes Arthur's death, brings back with full force Lise's childhood fear and sorrow for her Viennese aunts, uncles, cousins and grandparents, who, lacking her father's perspicacity, died in Nazi camps, as well as her father's own early and unexpected death. Lise emerges from a period of psychosis, but when she commits suicide 15 years later it's up to her daughter, Dirty, to reconstruct and redeem her mother's half-submerged emotional life. The novel's title refers to the Hudson, in which Lise drowns while pursuing a dream of life as it ought to be; and one of the most attractive things about this attractive novel is its loving descriptions of the river, its lore and its effect as a mirror and consoler of the lives of this novel's sturdy, vivid and affecting characters.