A treat for book lovers, especially those who lust for the productions of Feltrinelli, Bompiani, and, of course, Adelphi.
The eminent Italian litteratus and publisher brings learning and passion to this chronicle of the business of getting books into the hands of readers.
American bibliophiles covet books published by Knopf and the Modern Library. Italians look, foremost among other houses, to Adelphi, where Calasso (Ardor, 2014, etc.) has been working since its founding in 1962. With a look and feel that can’t be mistaken for books published by other houses, the books of Adelphi fulfill what the author considers chief among the criteria of artful publishing: “the capacity to give form to a plurality of books as though they were the chapters of a single book.” Describing publishing as, alternately, an example of what the French anthropologist Claude Lévi-Strauss called bricolage and, more modernly, as “a hybrid multimedia literary genre,” Calasso stakes a claim for both up-to-dateness and reverence for tradition—for, he argues, the best publisher ever was one of the first, the great Venetian printer and entrepreneur Aldus Manutius. But not too much up-to-dateness—for all that multimedia talk, the author spends a good part of this slender book arguing directly and indirectly with the American technology writer Kevin Kelly, whose embrace of e-books and an end of mass-produced physical books sends Calasso up the wall. Much of this collection hinges on some knowledge of Italian cultural affairs, or at least enough familiarity with history to appreciate a sentiment such as, “the writings of the Red Brigades are always hard going at the start.” But much, too, is pure celebration of books and the devotion to letters that good publishers evidence in abundance and excess, a good publisher being, as Calasso writes, “one who publishes one tenth of the books that he would like to, and perhaps ought to, publish.”
A treat for book lovers, especially those who lust for the productions of Feltrinelli, Bompiani, and, of course, Adelphi.Pub Date: Nov. 3, 2015
ISBN: 978-0-374-18823-8
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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