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A LETTER TO MY EXES

HOW I LEARNED TO LEAD WITHOUT BEING A TYRANT

A vulnerable account of becoming a more empathetic person.

A man reflects on his past mistakes in this epistolary work of self-examination.

Executive coach Giannicola presents letters he’s written to an array of people—including ex-girlfriends, his daughter, and even himself—to articulate the differences between the man he is now and the man he used to be. He writes that in the past, in personal and professional settings, he’d been overly forceful and self-confident, intolerant of disagreement and impatient with the flaws of others. “The very personality traits that I thought I had fostered and made me a strong leader,” he writes, “were, conversely, the ones that pushed people away, whether in a conference room or dinner table.” Writing to an ex he calls “C,” he’s blunt in his self-assessment: “You tried to tell me I was too controlling, too intense, that I made everything harder than it needed to be,” he writes. “I didn’t listen.” In these letters (and his reflections on their contents), the author recalls strained relationships, awkward meetings, and the easily avoidable misunderstandings that he repeatedly brought upon himself (“These feelings weren’t generated by them. I was the author of my state”). Giannicola offers readers both analyses explaining why these situations came about and strategies he developed for avoiding them, which involved changing some underlying attitudes; for example, he discusses a concept he calls the “Hero Loop,” a pattern in which he jumped in and saved the day in some emergency, only to become addicted to being seen as the one and only solution. “You’re so focused on being the hero,” the author observes, “that you never train any firefighters to assist you.”

Giannicola writes with the passion of a changed man who understands that change is a process rather than a goal (he confesses to still feeling the old patterns, “that edge in my voice, that need to take over, that tightness when someone challenges me”). The author pulls no punches about how unpleasant he used to be, which has the curious effect of making him more sympathetic to the reader. The foremost example is perhaps his insistence on positioning himself as important; writing to “S,” he reflects that pushing forward and solving problems made him feel significant, concluding, “The reason people like me need the feeling of control is that we are afraid of being irrelevant.” His advice for combatting this insecurity is refreshingly pragmatic, designed to curb the urge to dominate and control whenever it occurs. When a crisis happens, Giannicola suggests that instead of jumping right into problem-solving mode, his readers try simply asking, “What do you need from me right now?” (“And then,” he adds, “and this is crucial—listen to the answer and act according to it, not according to what you think they need.”) His inclusion of further resources adds additional heft to what amounts to a guidebook for reclaiming one’s humanity. The author’s letters to his own family are particularly touching, and it’s to be hoped that the unreconstructed boors in his audience will take some of this text to heart.

A vulnerable account of becoming a more empathetic person.

Pub Date: June 25, 2026

ISBN: 9798985735451

Page Count: 208

Publisher: N/A

Review Posted Online: Aug. 24, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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