Illustrator Emberley (Welcome Back, Sun, 1993, etc.) has teamed up with Harris (Hot Henry, 1987, etc.) to present more ethnic and sexual diversity than New York City's Rainbow Curriculum ever bargained for as they battle all concepts non-PC: They take swings at ageism (``People have sexual intercourse well into old age'') and at homophobia in the military (pointing out that, in ancient Sparta, it was thought ``that if a warrior was in the same regiment as his lover, he would fight harder in order to impress him''). But there's more information than polemic here, as the reader is guided by a corny but never condescending pair—an uninhibited bird and a repressed bee—through puberty, anatomy, reproduction, and a sense of the emotional weight that accompanies sexuality. The book intelligently covers birth-control options, how to have safer sex, how to treat STDs, and, in an especially impressive chapter, how to combat sexual abuse—all without patronizing the pre- or post-pubescent. Emberley's illustrations are often as funny as they are informative. With affirmations of homosexuality and masturbation—``it's perfectly normal''—and a choice-leaning (yet cautious) discussion on abortion, this volume will be anathema to social conservatives. But for parents who fear that a school sex-ed class may not be informative enough, it will certainly aid that dreaded birds-and-bees discussion. A terrific teaching tool that just may help slow the spread of sexual diseases and ignorance. (Nonfiction. 10-14)
Pub Date: Oct. 1, 1994
ISBN: 1-56402-199-8
Page Count: 96
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
A satisfying story of family, friendship and small-town cooperation in a 21st-century world.
Sent to stay with octogenarian relatives for the summer, 14-year-old Mike ends up coordinating a community drive to raise $40,000 for the adoption of a Romanian orphan. He’ll never be his dad's kind of engineer, but he learns he’s great at human engineering.
Mike’s math learning disability is matched by his widower father's lack of social competence; the Giant Genius can’t even reliably remember his son’s name. Like many of the folks the boy comes to know in Do Over, Penn.—his great-uncle Poppy silent in his chair, the multiply pierced-and-tattooed Gladys from the bank and “a homeless guy” who calls himself Past—Mike feels like a failure. But in spite of his own lack of confidence, he provides the kick start they need to cope with their losses and contribute to the campaign. Using the Internet (especially YouTube), Mike makes use of town talents and his own webpage design skills and entrepreneurial imagination. Math-definition chapter headings (Compatible Numbers, Zero Property, Tessellations) turn out to apply well to human actions in this well-paced, first-person narrative. Erskine described Asperger’s syndrome from the inside in Mockingbird (2010). Here, it’s a likely cause for the rift between father and son touchingly mended at the novel's cinematic conclusion.
A satisfying story of family, friendship and small-town cooperation in a 21st-century world. (Fiction. 10-14)Pub Date: June 9, 2011
ISBN: 978-0-399-25505-2
Page Count: 256
Publisher: Philomel
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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