Interesting questions about mental health and self-awareness are sacrificed in favor of a too-tidy happily-ever-after ending...
Natalie hopes a summer Shakespeare program will offer stability, but instead, her belief in rumors of a theater ghost suggests her schizophrenic delusions may be worsening.
A recent delusional episode resulted in the white teen’s diagnosis of schizophrenia, from which her grandmother also suffers. Initially, Natalie is determined to use medication and other treatment techniques to avoid future schizophrenic episodes. But she also longs to be a carefree teen, prompting her concealment of her diagnosis from her new (apparently mostly white) theater friends—resulting in alcohol consumption and missed medication doses. Consequently, Natalie’s increasingly fearful reactions to rumors of a theater ghost seem plausibly related to her mental health diagnosis. Readers will struggle with Natalie as she evaluates her own mental stability, especially as her grandmother’s intensifying delusions add terror to the schizophrenia diagnosis. Unfortunately, a less interesting storyline involving a dull romance with Lucas, the handsome white boy Natalie recognizes from the mental health treatment facility, soon takes center stage. Her declarations of falling in love seem unfounded and premature. A potentially interesting reveal gets lost in several other characters’ abruptly shifting attitudes and behaviors—especially the grandmother’s sudden delivery of sage advice about the power of love. That this Savannah, Georgia–set tale seems to have no significant African-American characters is a real shame.
Interesting questions about mental health and self-awareness are sacrificed in favor of a too-tidy happily-ever-after ending and poorly realized setting . (Fiction. 14-18)Pub Date: Aug. 30, 2016
ISBN: 978-1-4967-0356-9
Page Count: 304
Publisher: Kensington
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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