by Robin Cook ‧ RELEASE DATE: July 14, 2003
Typical Cook: lifeless dialogue, weak prose, and hokey plot, but a sound message: ambitious doctors and scheming politicians...
Public antagonists become conspirators as a medical entrepreneur performs a controversial operation on a duplicitous politician.
In an afterword, Cook (Shock, 2001, etc.) warns us that political prohibitions against embryonic stem-cell research are misinformed and will only make things worse. Here, they’re bad enough for Dr. David Lowell, a brilliant, egotistical, and bit greedy researcher who quits Harvard to found a struggling for-profit company that will, he hopes, make millions when it develops a complicated technique involving embryonic cloning that has cured Parkinson’s in mice. On Capitol Hill, meanwhile, antiabortion Senator Ashley Butler heads a subcommittee considering a bill that will ban the procedure. Called to testify before the committee, Dr. Lowell fails to persuade the senator that his technique isn’t killing babies, and Lowell is later contacted by the senator’s aide, Carol Manning, for a secret meeting. It turns out the senator has Parkinson’s and is willing to stall the bill in his committee, as well as pay hundreds of thousands in secret PAC money to Lowell and his sexy, competent lover and business partner, Dr. Stephanie D’Agostino, to perform the operation on him secretly, with two conditions: that this be done in the Bahamas at the new Wingate Clinic, and that the cloning involve DNA taken from blood residues on the Shroud of Turin. The senator offers to sponsor a bill limiting the amount of damages in lawsuits against charities—just as a New York cardinal wants in wake of the church’s sex scandals. Calls are made to the Vatican, and, while getting the sample in Turin, the doctors have their first of many brushes with danger, involving priests, Mafiosi, and other types tainted by incompetence, greed, and irrational fears. Despite all, the doctors actually pull off the operation, though Murphy’s Law takes over in ways no one can expect.
Typical Cook: lifeless dialogue, weak prose, and hokey plot, but a sound message: ambitious doctors and scheming politicians only increase the suffering that, deep down, both want to cure.Pub Date: July 14, 2003
ISBN: 0-399-14876-0
Page Count: 480
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2003
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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