A sparkling, robust young hero with a distinctive voice—a real winner.
In this novel, a 5-year-old girl (whose father is a minor Jane Austen character) makes unexpected discoveries while adventuring through Europe in search of Utopia.
Sofia-Elisabete remembers the unforgettable months of travel and discovery she enjoyed as a 5-year-old in 1815. Sofia-Elisabete is the child of Col. Fitzwilliam, whom readers of Jane Austen’s Pride and Prejudice will recall as the likable but poor cousin of Mr. Darcy. Sofia-Elisabete’s mother is a Portuguese bolero dancer, Marisa Soares Belles, who abandons her baby at a convent. She’s eventually reclaimed by her father and taken to Scarborough, England. Blessed with a rich imagination and vigorous self-confidence, the little girl thrives; her father sometimes suffers from war flashbacks and drug-induced lethargies but makes a good marriage and is a fond father. Doña Marisa and her escort, Señor Gonzalez, come to Scarborough “to find a special someone”—in fact, to retrieve Sofia-Elisabete. For some time, the girl believes they’re journeying to “la luna.” Sofia-Elisabete hopes to discover, like the Spaniard in Francis Godwin’s The Man in the Moone, a paradise where hunger and crime don’t exist. Having many adventures across the Continent and over the Alps, the travelers reach Genoa, where Marisa hopes to find a home. While joyful at her mother’s acknowledgement and reunion with her father, Sofia-Elisabete is left with a difficult choice. Kobayashi (Freedom & Mirth, 2017) captures the magical thinking of young children while anchoring the novel’s peregrinations through repetition of key phrases. Each chapter, for example, begins with the formula “My first [memory, foot-race, etc.], thinks I, was….” Sofia-Elisabete’s perfectly original narrative voice is a delight, as is the girl herself; she’s compassionate, imaginative, and always game to master new skills (drumming, rope-dancing, “jodeling,” dancing the bolero). The glimpses of 1815 Europe, such as Dutch cleanliness and Swiss goiters, are well-observed, yet Kobayashi preserves the childlike point of view. While often very funny, the novel has depth in its concern for humanity’s problems and children’s emotions.
A sparkling, robust young hero with a distinctive voice—a real winner.Pub Date: June 12, 2018
ISBN: 978-0-9985716-5-2
Page Count: 216
Publisher: CreateSpace
Review Posted Online: May 24, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PROFILES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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