A morally-sound hero who earns sympathy and cheers as a champion of the wildlife.
Mason, Robin
LONE WOLF: BOOK TWO OF THE OLDENGLEN CHRONICLES A twelve-year-old boy’s ability to communicate with animals may come in handy when revenge-minded bullies invade his family’s land in Mason’s (Oldenglen, 2015) middle-grade fantasy. Although initially reluctant to leave his England home, Jackson Wolfe has grown to love Oregon. The Oldenglen estate where he lives is a magical place where the boy can understand the forest’s inhabitants. But while the woodfolk are pals, Jackson’s had less luck making friends at school. Bully Noah and his three cronies who form The Pack target Jackson after he sticks up for nerdy Daniel. When Noah instigates a tussle outside a library, Jackson momentarily unleashes the “wolf within,” [5] a transformation he thought would materialize only in Oldenglen. Jax the Wolf has amped speed and strength, with golden eyes the sole physical change — but it’s his eyes that Noah may have witnessed. Now designating Jackson a freak, The Pack creeps into Oldenglen, where Noah boasts of knowing the area. Fortunately, Jackson has help, from the woodfolk who immediately spot the camping bullies to San Franciscan Sarah, who’s visiting the boy she’d befriended over the summer. With a hunting dog and gun, Noah poses a threat to Jackson and his woodsy companions, especially if he tells potentially-armed adults he’s spotted wolves or coyotes. So Jackson, Sarah, and the woodfolk make a plan to protect Oldenglen. This laudable tale is more exciting than the series’ first, which Mason co-wrote with his father. Handling exposition thoroughly but efficiently, the author dives right into the story to establish the new villains. Noah, et. al., even if mere eighth-graders, are genuinely scary; he and older brother Nate, in a discernible black truck, follow Jackson’s bus all the way home. Despite further distress (Jackson’s missing porcupine buddy Squiffle) and the occasional menacing animal (a bull elk literally looking for a fight), the narrative’s predominantly jaunty. The good guys, for one, are surprisingly skilled at psychological warfare, opting to disturb the bullies’ sleep and campsite, which results in hilarious directives: “Send in the moles.” [214] Jackson battles relatable issues, too, including loneliness, feeling like both wolf and human with no real pack of his own.
A morally-sound hero who earns sympathy and cheers as a champion of the wildlife.Pub Date: April 1, 2016
ISBN: 978-0-9948371-2-7
Page Count: 348
Publisher: Tricklewood Press
Review Posted Online: June 11, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A volume of poetry that shines when focused on the author’s experiences of race and culture.
A collection speaks in part to the poet’s Mexican-American heritage.
In these multifaceted poems, Mexico-born, Houston-raised Salazar (Of Dreams and Thorns, 2017) explores general human themes like love and war in addition to specific experiences as a person of color. The book begins with a sensual meditation on desire, featuring luscious descriptions of a lover, from lips “moist like youth” to the body’s “softest velvet” slopes. The poems shift to odes to cultural icons like the Tejano star Selena and Mexican-German painter Frida Kahlo as well as occasion pieces honoring his brother’s 40th birthday and a friend’s mother’s memorial service. The author hits his stride when he delves into identity. In “I Am Not Brown,” he contemplates the societal implications of skin tone and his inability to fit into the rigid category of Caucasian or Latino. “For white and black and brown alike / Are slaves to history’s brush strokes,” he writes. “Grateful for the Work,” perhaps Salazar’s loveliest poem, catalogs the day of a laborer, starting with an early morning awakening and following him as he toils in 100-degree heat, enjoys tacos from his lunch pail, buys beverages from a child’s lemonade stand, and returns home to an equally hard-working wife. The author then makes an abrupt turn toward Syria in a series of poems that condemn that country’s president, Bashar Hafez al-Assad. They serve as a rallying cry for Syrians and grieve for the murdered masses. Salazar’s closing poem, “Sons of Bitches,” is a clunky rant about a 20-year-old immigrant shot in the head by a U.S. Customs and Border Patrol agent. The gratuitous violence and political theologizing are ill at ease with the intimate, personal experiences that preceded them, such as the fablelike “A Mexican is Made of This,” in which Salazar beautifully describes the “rainbows, bronze, backbone, butterflies” that his people embody.
A volume of poetry that shines when focused on the author’s experiences of race and culture.Pub Date: Aug. 1, 2018
ISBN: 978-0-9991496-3-8
Page Count: 166
Publisher: Bronze Diamond Productions
Review Posted Online: Sept. 27, 2018
Review Program: Kirkus Indie
BOOK REVIEW
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