Stilted style, lots of expository dialogue, and an utterly predictable plot, from the son of Rosamunde.
Silly soap opera from the author of An Ocean Apart (1999).
Hunky husband Gregor leaves devoted wife Liz for a “wee blonde-haired bombshell” in a tight pink sweater, and Liz retreats to her father’s farm on the island of Fife to think things over. Nathaniel Craig, lonely after his wife’s death, welcomes his middle-aged daughter back. The crux of the story: Nathaniel’s grandson Alex has plans to convert the family land into a golf course, even though they’ve farmed it for over a hundred and fifty years. Liz has her doubts, while Nathaniel would just as soon sell, provided he can continue to live in the farmhouse. Then Liz finds herself attracted to a boarder supplied by her matchmaking father and even goes so far as to comb her hair in a more becoming fashion.. Arthur Kempler is a professor of German, and too old to want sex, but he does desire female companionship and invites lovelorn Liz to Seville, where the two take in the local color. Plans for the golf course are taking shape when Nathaniel meets a new woman: 60-ish Roberta (Bobby) Bayliss, Australian daughter of a Scotland-born tycoon. Bobby is a no-nonsense type and one hell of a golfer. After falling in love in a matter-of-fact way with old Nathaniel, she decides to use the vast fortune her father left her to create the best new links in Britain. Liz returns home with a great tan and blond highlights, only to hear that Gregor has been badly burned in a car accident and that he’s had enough of his wee bombshell, having caught her flirting with another man in a local pub. Can Liz ever forgive him? Take him back? These and other questions are resolved in a ho-hum denouement that will surprise no one.
Stilted style, lots of expository dialogue, and an utterly predictable plot, from the son of Rosamunde.Pub Date: Jan. 1, 2001
ISBN: 0-312-26995-1
Page Count: 400
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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