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EXTRAORDINARY MEANS

Readers will do better to seek out The Fault in Our Stars

When Lane’s drug-resistant tuberculosis lands him in a sanatorium, he finds that one of the other residents is a girl he met at summer camp years ago.

College-bound Lane is in denial about his illness, assuming that he can keep up with his AP work and go home soon. Sadie’s condition is neither improving nor getting worse; she’s been at Latham House long enough to have formed a group of friends who go on nighttime excursions to buy contraband in the nearby town. In alternating chapters, Lane and Sadie narrate their gradual interest in and eventual love for each other as they await an upcoming drug trial that could mean an end to their quarantine. The teens’ voices are authentic, and there’s enough humor to keep this from becoming maudlin, even though the miracle drug doesn’t quite make it in time. A lengthy author’s note spells out Schneider’s intention to write about a nonexistent form of TB to “fix” what she sees as teen literature’s lack of medical narratives “that humanize the illness experience.” Unfortunately, this approach doesn’t necessarily make for good storytelling, as the message takes over, leaving readers to muse on Sadie’s philosophy that “living and dying are actually different words for the same thing, if you think about it.”

Readers will do better to seek out The Fault in Our Stars . (Fiction. 14 & up)

Pub Date: May 26, 2015

ISBN: 978-0-06-221716-5

Page Count: 336

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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