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SIBERIAN LIGHT

After four high-tech thrillers (The Last High Ground, 1995, etc.), White does a star turn with a detective story set in post-communist Siberia. Three years ago, Gregori Nowek—a geologist whose criticisms of Soviet oil-drilling got him banished to frozen Irkutsk—was elected mayor of his new town with the slogan ``Can I Do Any Worse?'' Still mourning wife Nina, who died in a plane crash, he has failed to make peace with his teenage daughter, Galena, or with the gleefully corrupt world of the new Russia. One spring day, Nowek's asked by his Moscow superior, Arkady Volsky, to investigate the murder of Andrei Ryzkhov, a wealthy local liaison with AmerRus, the American-Russian cooperative drilling for ``Siberian light'' crude oil in the Tunguska fields. Not only was Ryzkhov's throat cut, but two of the city's police militamen were similarly slaughtered. Nowek's inquiries are discouraged by ex-KGB Major Kaznin and by the coolly cruel Irkjutsk prosecutor, Gromov, who worries that a scandal would disturb the flow of bribes coming from AmerRus. Nowek perseveres, his geologist's eye uncovering clues that Major Kaznin ``missed.'' These lead him to Tunguska, site of the AmerRus drilling base, where, unknown to him, his daughter has been abducted by a lecherously lethal American AmerRus worker, Paul Decker. Tunguska is also home to an endangered species of Siberian tigers under the watchful eye of Dr. Anna Vereskaya, now a murder suspect. Nowek falls in love, but, predictably, his struggle to prove Anna innocent, rescue his daughter from her loathesome paramour, and deal with AmerRus's secret reason for exploiting Siberia—all bring forth resources of character that Nowek wasn't aware he had. The climax is labored, though it supports White's thesis that no change of economy will stop bad guys from being very bad. Almost, but not quite, a rewrite of Gorky Park, enlived throughout by hilarious looks at the old regime, at mud-splattered Siberia, and at the irrepressible vileness of human greed. ($150,000 ad/promo)

Pub Date: Sept. 1, 1997

ISBN: 0-385-31688-7

Page Count: 384

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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