THE ARRANGEMENT

A newly minted sugar baby falls for her sugar daddy with deadly results in Harding’s (Her Pretty Face, 2018, etc.) latest thriller. Welcome to the sugar bowl.

Twenty-one-year-old art student Natalie Murphy is happy to be in New York City and away from Cole, the abusive boyfriend she left behind in tiny Blaine, Washington. Unfortunately, Nat has trouble making rent and is close to getting kicked out of her apartment. Luckily, Nat’s impossibly stylish school friend Ava has a solution. Ava is a sugar baby: She dates wealthy, successful men who sponsor her upscale lifestyle, but Nat has a few reservations, mainly about sex. Ava explains that sex is only on the menu if Nat wants it. After Nat gets fired from her job, she posts a profile on a sugar daddy website and makes a date with the charming and handsome Angeldaddy, aka 55-year-old lawyer Gabe Turnmill. He tells Nat that he’s divorced, but in reality, Gabe sees himself as a martyr who must take care of his wife of 29 years, Celeste, a cancer survivor who gained weight, making her undesirable to poor Gabe. After a few dates, lots of self-recrimination, ignored red flags, and wads of cash, Nat is smitten. It’s not the money that has her hooked—it’s Gabe, who offers Nat an ongoing arrangement, including a monthly allowance, but when he eventually calls it off, Nat goes off the rails, and Gabe must contain the considerable fallout. Murder is, of course, inevitable. The world of sugar babies and their daddies is fascinating, but weak characterizations render Nat and Gabe, and their supporting cast, as little more than cardboard cutouts, and Nat hits every clichéd beat of the scorned lover rendered psychotically hysterical by a powerful, sociopathic man. A lot can be parsed about arrangements with a built-in power imbalance that allow for predatory manipulation, but that’s given only surface-level exploration. More effort is put into heightening the melodrama and engineering soapy twists.

A missed opportunity.