An affecting romance told with intelligence and nuance.
In this historical novel, set in the eighth century, a Viking mercenary kidnaps a wealthy woman for profit before they unexpectedly develop romantic feelings for each other.
Lord Cecil Allard hires Norseman Einar Herjolfsson to charge into his upcoming wedding ceremony and kill his fiancee. He pays the Viking half of his fee in advance and says that he can get the rest by stealing silver and gold from the cathedral. But when Einar and his men arrive at the ceremony, there are no riches to be found, so the Viking decides to take the bride, Seraphina, and two of her friends, Iohannes and Hadley, as captives for ransom or later sale. Seraphina turns out to be the daughter of a wealthy landowner with powerful political connections, which presents even greater opportunities for her captors. As a result, Einar must protect her from his cohorts, including his rapacious stepbrother, Gunnar, who bitterly feels that Einar’s introduction into the family by marriage has unjustly deprived him of his own “firstborn-son status.” To complicate matters further, Einar finds himself “intrigued” by Seraphina’s combination of beauty and courage from the first moment that he sees her, and his feelings only deepen over time. Eventually, Seraphina begins to return Einar’s affections, and she turns against her fiance completely when she learns of his treacherous plan. Gabel (Making Friends, 2016, etc.) stirringly depicts the fragility of moral principles during a time of violent lawlessness. The attraction between Einar and Seraphina is jarringly implausible on its face, but this only makes it more impressive when the author makes it not only seem credible, but also touching. Also, she powerfully contrasts Einar’s rough-hewn honor and Cecil’s “well-groomed sophistication,” as when the former remarks to Seraphina, “Has he proven himself in battle? Does he treat others fairly? Does he honor his word? I think not.” Overall, Gabel has constructed a work of historical fiction that’s both faithful to the period and dramatically captivating.
An affecting romance told with intelligence and nuance.Pub Date: N/A
ISBN: N/A
Page Count: 274
Publisher: Tri Swan Publishing, LLC
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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