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TWO BLANKETS, THREE SHEETS

A blunt and surprisingly humorous peek at an aspect of global displacement that remains largely hidden from public view.

Fleeing conscription in Saddam Hussein’s army, an Iraqi refugee finds himself in a different kind of hell after he applies for asylum in the Netherlands.

By the time Samir Karim lands in Schiphol airport in 1998, he has already spent seven years trying to set down anchor somewhere in the world. The Dutch, he has heard, are lenient with asylum. Coming from war-torn Iraq, Karim has a powerful case. The problem is the Dutch have heard it all before, and Karim’s application soon gets snared in bureaucratic procedures. He whiles away years, waiting with his assigned two blankets, three sheets, a towel, a pillow, and a pillowcase, to obtain an official residence permit. Karim meets close to 500 fellow refugees at the asylum seekers’ center. Waiting in the center, not knowing when the all-important letter from immigration will arrive, is modern-day purgatory. Al Galidi, himself an Iraqi refugee in the Netherlands, leans on his experiences to describe the cacophony that’s the ASC. A parade of colorful refugee seekers fills in a striking picture of what life’s like on the inside. Does conversion to Christianity help? Rumor has it that it might. “Whoever goes to the mosque gets sent to the jihad, and whoever goes to the church gets a residence permit. I think the church is better,” says Fatima, with a sardonic sense of humor. Karim is an entertaining—if occasionally coarse—protagonist who expertly dissects the statelessness that plagues today’s refugees. In one of the more touching moments, a 7-year-old born at the center claims it as his country—he has seen nothing else. The nuanced narrative does not hide darker currents of depression or loss of personhood.

A blunt and surprisingly humorous peek at an aspect of global displacement that remains largely hidden from public view.

Pub Date: Jan. 7, 2020

ISBN: 978-1-64286-045-0

Page Count: 400

Publisher: World Editions

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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