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AWAKENING OF THE TWELVE—PART 1

THE TORCH SERIES: TRILOGY OF THE TITAN TWELVE

Though it abandons its initial intensity, this story showcases a welcome union of singular characters.

An enigmatic and diabolical ancient cult pursues a group of exceptional, multiethnic teens around the globe in this second installment of a fantasy series.

Twelve teenagers, each born in 2070, form the U.S. Titan Twelve. The talented teens competed as a team in the International Titan Games and won numerous gold medals. Now they’re celebrating with a planned vacation of visiting their ancestral homelands, countries ranging from Ghana to Italy. Sadly, there’s trouble before they even leave Thessaloniki, Greece, where the games were held. Lalitha Alexandra Gupta awakens early in the morning to the realization that Helena Maria Martin didn’t return from her late-night walk with Kofi N’Kosi Mark Annan. Equally shocking are Helena’s pleas for help, which Lalitha hears in her head, as do the other four Titan girls: Abena Ashanti Marie Richardson, Immanuela Rachel Abravanel, Fredrika Kathleen Johansson, and Wei Susan Wang. The boys (Humberto Matthew Santiago Fernandez Ramirez, Petrov Robert Vasiliev, Olis Joseph Kaiser, Zeno Thomas Theophilus, and Omari Samuel Hassan) inform the girls that N’Kosi is also missing. Using the girls’ newfound telepathy, signified by white color patterns in front of their eyes, they track down their friends. The group confronts menacing hooded individuals and discovers additional powers, like generating a telekinetic energy field. Helena and N’Kosi are fine, and Ashanti surmises that the abductions were some type of warning, verified later when they receive a cryptic note. They begin their world-trekking vacation, but it’s soon clear the kidnappers, who decree themselves the Dark Acolytes, are stalking them. As the cult’s objective is unknown, the Titans decide to get answers by using their special abilities combatively rather than as mere defense. Porter’s (Rise of the Twelve, 2016) series is essentially an origin story for superpowered teens. It’s engrossing to watch them slowly acquire abilities, which include levitation and a distinctive color pattern for each (telekinesis is blood red). Likewise, the Titans are still learning, as powers seem to emerge under stress and aren’t readily accessible. Nevertheless, the novel’s genuine focus is its potpourri of characters, featuring diverse lineages. This makes for a culturally rich narrative, as the Titans travel to different countries and experience the nations’ food, histories, and landmarks. Furthermore, it’s an opportunity to display the story’s late-21st-century technology, like spaceports, with shuttles flying in the high end of the stratosphere. Porter molds the Titans individually, not just their backgrounds, but their personalities as well. Witty Ashanti, for example, upon arrival in Rome, claims that the Italian-speaking captain (an android-esque Humanoid Intelligence unit) asks if she is a movie star. The unfortunate downside to the extensive global tour is that it sidelines the book’s thriller aspects. The opening kidnapping is rife with anticipation, as the Titans race to save Helena and N’Kosi. But the Dark Acolytes subsequently make only sporadic appearances for much of the novel and rarely engage the Titans, so the suspense gradually wanes. There’s plenty left for the second part of Book 2, however, as the vacation is nowhere near completion and the cult’s eventually revealed sinister purposes will be an unmistakable threat.

Though it abandons its initial intensity, this story showcases a welcome union of singular characters.

Pub Date: Aug. 30, 2018

ISBN: 978-0-9911467-5-8

Page Count: 505

Publisher: CreateSpace

Review Posted Online: June 8, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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