Next book

MIGHTIER THAN THE SWORD

HOW THE NEWS MEDIA HAVE SHAPED AMERICAN HISTORY

An easy-to-digest, somewhat pat overview of the media's influence on American history and politics. Streitmatter wrote this book from materials used in one of his classes on the media at American University in Washington, D.C. He has succeeded in producing a fine introductory textbook for a journalism class, but those wishing for a deep consideration of the press's impact will be disappointed. Fourteen key issues in American history and the media's influence on each are examined. Chapters end by emphasizing the media's important role in shaping events, usually for the good of society. Sometimes the praise is overwrought: Edward R. Murrow's newscasts were a ``valiant savior of the democratic way of life'' when they brought down Senator Joe McCarthy, a ``putrid presence.'' There is, admittedly, a certain satisfaction in stories of the press fighting evil, such as the manner in which Thomas Nast braved numerous threats as his biting cartoons in Harper's Weekly contributed to the downfall of Tammany Hall's infamously corrupt ``Boss'' Tweed. Similarly, there is a vindicating pleasure in reviewing Woodward and Bernstein's toppling of President Richard Nixon. But there are no great surprises here as Streitmatter reviews how Thomas Paine's Common Sense motivated colonists to rebel against England, or how Rush Limbaugh attempts to tip votes toward Republicans and create the ``Limbaugh Congress.'' Two chapters offer case studies of negative media influence. The first is the extremely popular, anti-Semitic radio broadcasts of Father Coughlin, and second is the early resistance to the women's rights movement. Left mostly unexplored is the way the media influence events while feigning objectivity, and what happens to the issues the media choose to ignore. For a deeper, more subtle analysis, readers will need to turn to scholars less enamored of the beneficent power of the press. (27 illustrations, not seen)

Pub Date: June 1, 1997

ISBN: 0-8133-3210-9

Page Count: 304

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

Categories:
Next book

IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Next book

A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

Categories:
Close Quickview