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90 DAYS TO LIVE

A touchingly triumphant remembrance combined with sober analysis.

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A memoir about one man’s determination to beat the odds with alternative treatments after a grim prognosis. 

In 2005, debut co-author Rodney Stamps discovered a small lump on his collarbone. Then a doctor found another one under his armpit—bigger than a golf ball—which prompted a round of medical tests. Eventually, an oncologist determined that Rodney was suffering from non-Hodgkin’s lymphoma and that with immediate chemotherapy he could likely secure another five to 10 years of life—but without it, he’d likely be dead within 90 days. The news shocked both Rodney and his wife, debut co-author Paige Stamps. However, he wanted to beat the cancer, not simply postpone its victory, and he was wary of chemotherapy because two of his family members had died while undergoing such treatment. Against his doctor’s vehement orders, Rodney and Paige charted their own course, scouring the internet for unconventional alternatives. They eventually found a book describing a cure that characterized cancer as a “deficiency of the pancreatic enzymes,” and they largely attacked the disease with a rigidly restrictive diet along with a regimen of enzymes extracted from New Zealand pigs. The authors describe Rodney’s extraordinary recovery, and the emotional roller-coaster ride that they experienced in the process, with humor and poignancy. They note that the treatments weren’t as expensive as chemotherapy, but they weren’t cheap, either, and the couple struggled to pay for them while running an alarm-installation business and raising two young daughters. Along the way, they furnish a fascinatingly instructive critique of traditional medicine and of how doctors are incentivized to avoid recommending alternative cures, which, the authors say, can amount to “professional suicide.” Their account is an appropriately balanced one, however, pointing out that the world of alternative medicine is often populated by charlatans who encourage wishful aspiration instead of rigorous thought. Above all, though, this is a love story, as the authors movingly chronicle the arc of their relationship and their unwavering support of each other. 

A touchingly triumphant remembrance combined with sober analysis.

Pub Date: Dec. 13, 2018

ISBN: 978-0-9993722-1-0

Page Count: 268

Publisher: Attacking Cancer, LLC

Review Posted Online: Jan. 11, 2019

Kirkus Reviews Issue: March 1, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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