BEAUTIFUL DAY!

A four-season round, observed in stylized scenes and 20 haiku-like poems.

Pappa is loose with her syllable count but otherwise follows the form’s conventional antecedents as she reflects on a young child’s outdoor encounters and activities: “Beautiful day! / Teach me, too, how to fly, / mother swallow.” Appealing though the spare and precise poetry may be, younger audiences will likely be more strongly drawn by the serene, harmonious pictures. As in her eye-catching illustrations for Roxane Marie Galliez’s Thank You, Miyuki (2020), Ratanavanh sets an Asian-presenting protagonist with pink cheeks against likewise stylized, mostly natural, flat backdrops constructed using delicately transparent hues and bright Japanese washi patterns. A paper boat and a flight of origami “wild geese” add further atmospheric notes. Though the child climbs a ladder in one scene to color in a rainbow and in another hangs little dolls in a Christmas tree, in general they are small enough to peer from a poppy at an equally tiny spring lamb, sit on a dahlia with a pair of “happy snails” in autumn, and, in one droll summer scene, make a lazy comment about the grasshopper on the nose of a mountainous, napping dog—oblivious to the comparatively giant butterfly perched on their own.

A little thin but the lovely art rewards lingerers.