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JUSTICE WILLIAM J. BRENNAN, JR.

FREEDOM FIRST

The happy warrior of the Supreme Court's liberal wing from 1956 to 1990 is fondly recalled in these miscellaneous articles collected by Goldman (Constitutional Law and Criminal Procedure/St. Louis Univ. School of Law) and Gallen (co-author, Remembering Malcolm, not reviewed). One sure tip-off that this book will not be an objective assessment comes early, when Nat Hentoff terms Brennan ``the most powerful and influential Supreme Court justice in the history of the nation.'' Perhaps Hentoff forgot John Marshall, but it's indisputable that in longevity, the verve of his writing, and his mastery of the fine art of coalition-building, Brennan was, as the contributors here insist, a giant. The first third of the text consists of pieces previously published in law journals and other periodicals; among them are two interviews with Brennan and tributes from fellow justices Thurgood Marshall and Byron White, former clerks, and friends like journalist Nina Totenberg. These associates remember a justice admired by both conservative and liberal colleagues on the high court for his humor, compassion, integrity, and especially his political skill in cobbling together majorities behind his opinions. In the second section, Goldman examines Brennan's jurisprudence in such controversial areas as due process, sex discrimination, affirmative action, abortion, freedom of the press, separation of church and state, and the death penalty. The final third contains 15 of the justice's landmark opinions, including New York Times Co. v. Sullivan (1964), which provides the press greater protection in libel cases. The work's celebratory tone eschews any criticism, no matter how justified: Little is made, for example, of the fact that Brennan, despite years of trying, was unable to create a clear definition of obscenity to guide lower courts. A tribute with the genre's characteristic virtues (warmth) and vices (lack of objectivity), but on the money in assessing a justice unwavering in his dedication to civil rights and civil liberties.

Pub Date: Sept. 1, 1994

ISBN: 0-7867-0069-6

Page Count: 400

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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