Wordy, technically elaborate, and lacking emotional payoff.
Hughes’ experimental fiction—a blow-by-blow account of the ultimate financial 9/11—is intended as “a wake-up call.”
The plot hinges on FDIC insurance requirements for workers at the offshore data-processing centers of American banks–requirements created to prevent bad guys from infiltrating the clearinghouse. Unfortunately, the United States banking system is still hit by mass identity theft, in which millions of dollars are stolen via transfer and the system is wiped clean. With no chance of recovery, the worldwide banking system teeters on the verge of collapse. In addition to greedy CEOs, the book’s villains are terrorists seeking funding for nefarious activities and a nifty nest egg for bin Laden. The meltdown leads to looting, a run on the banks and a planned nuclear attack, at which point the book ends abruptly with the plaintive plea, “God help us all.” The novel features elements diverse as al-Qaida, e-mail snooping programs, the Reformed Nazi Party, the rollout of new bank software, stem-cell/blood/organ harvesting, stock-market manipulation, ignorant MBAs and “shredding” corporations for profit. The lengthy narrative is punctuated with unnecessary explanations–such as how the phone system works–with no guideposts to help readers tie it together. Generic characters of various nationalities take the same potshots at CNN for shoddy journalism and there’s no standout hero or villain, with the possible exception of hardworking Heidi, who’s dead tired from blood harvesting in the Bohemian Forest. Some scenes are unintentionally humorous, as when National Guard members called to quell riots join the rioters themselves since they can’t get their money out of the bank either. It takes technical brilliance to orchestrate and assess a thorny situation from multiple angles, but the book lacks heart and heat. It reads like an extensive white paper, a worst-case scenario of financial debacle in all its layers of complexity. Infinite Exposure is a necessary reminder of America’s economic vulnerability, but readers may struggle to connect a dizzying plethora of dots.
Wordy, technically elaborate, and lacking emotional payoff.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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