An often captivating remembrance that’s brimming with intrigue.



In this debut memoir, a native New Yorker recollects a life of entrepreneurial success and perseverance in the face of daunting adversity. 

Coury came of age on the streets of Brooklyn in the 1960s, the descendant of grandparents who emigrated from the Middle East. Always attuned to the possibility of business opportunity, he started a rock band in 1970 and made considerable sums of money selling soda and beer (despite being underage himself) at his own concerts. The author was drafted in 1972 and chose to enlist in the Marines, and in the last six months of his service, he worked—as part of a job transition program—as a blackjack dealer at a minor casino. Coury was always looking for ways to advance, though, and he landed a coveted gig at the Tropicana on the Las Vegas Strip shortly thereafter. A restless entrepreneur, he bought his first bar in 1979 when he was only 27 years old, and by the age of 35, he’d either bought or founded seven other businesses. Coury’s account of commerce in Las Vegas focuses on its seedier side; he tells of confronting corrupt union reps who squeezed him for money, fraudulent regulatory commissions, and unscrupulous law enforcement officers. The culmination of the author’s tale comes in 1989, when, he says, a thieving waiter falsely accused him of torture. In this remembrance of his life and times, Coury provides an account that’s both dramatic and cinematic. The author’s story, as the title suggests, focuses on his indefatigable refusal to surrender, and readers won’t be able to help finding this to be an impressive virtue. The prose doesn’t offer many literary flourishes, but Coury does show himself to be a naturally gifted storyteller with a clear, informally charming style. Although the narrative largely focuses on his business exploits, he candidly discusses his childhood, his bout with esophageal cancer in the mid-2000s, and his happy marriage, as well. 

An often captivating remembrance that’s brimming with intrigue.

Pub Date: Dec. 20, 2018

ISBN: 978-1-73272-100-5

Page Count: 294

Publisher: Las Vegas Publishing Group, LLC

Review Posted Online: Jan. 29, 2019

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?



Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?