An often captivating remembrance that’s brimming with intrigue.
In this debut memoir, a native New Yorker recollects a life of entrepreneurial success and perseverance in the face of daunting adversity.
Coury came of age on the streets of Brooklyn in the 1960s, the descendant of grandparents who emigrated from the Middle East. Always attuned to the possibility of business opportunity, he started a rock band in 1970 and made considerable sums of money selling soda and beer (despite being underage himself) at his own concerts. The author was drafted in 1972 and chose to enlist in the Marines, and in the last six months of his service, he worked—as part of a job transition program—as a blackjack dealer at a minor casino. Coury was always looking for ways to advance, though, and he landed a coveted gig at the Tropicana on the Las Vegas Strip shortly thereafter. A restless entrepreneur, he bought his first bar in 1979 when he was only 27 years old, and by the age of 35, he’d either bought or founded seven other businesses. Coury’s account of commerce in Las Vegas focuses on its seedier side; he tells of confronting corrupt union reps who squeezed him for money, fraudulent regulatory commissions, and unscrupulous law enforcement officers. The culmination of the author’s tale comes in 1989, when, he says, a thieving waiter falsely accused him of torture. In this remembrance of his life and times, Coury provides an account that’s both dramatic and cinematic. The author’s story, as the title suggests, focuses on his indefatigable refusal to surrender, and readers won’t be able to help finding this to be an impressive virtue. The prose doesn’t offer many literary flourishes, but Coury does show himself to be a naturally gifted storyteller with a clear, informally charming style. Although the narrative largely focuses on his business exploits, he candidly discusses his childhood, his bout with esophageal cancer in the mid-2000s, and his happy marriage, as well.
An often captivating remembrance that’s brimming with intrigue.Pub Date: Dec. 20, 2018
ISBN: 978-1-73272-100-5
Page Count: 294
Publisher: Las Vegas Publishing Group, LLC
Review Posted Online: Jan. 29, 2019
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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