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THE FREEZE

A charming, if uneven, coming-of-age tale.

A 12-year-old girl experiences a season of change and hope during the winter of 1962 in this middle-grade novel.

Kate Dunn, the Irish-American daughter of a police officer, lives in a comfortable apartment in Manhattan’s Washington Heights with her parents, older brother Rory, and younger brother Danny and attends the local Catholic school. Her family expects that she will eventually become a nurse or a flight attendant, but the highly intelligent Kate refuses to accept limitations on her ambitions. She regularly wins awards at her school for academic excellence, and she received a full scholarship to the Sacred Heart of Mary Academy. When she’s not spending time with her best friend, Mary Garvey, she pores over a well-worn copy of Black’s Law Dictionary. As the Christmas season approaches, she looks forward to preparing for high school; however, the winter of 1962 ends up being anything but typical for Kate. The region endures unusually frigid weather, dubbed “The Freeze” by local residents. As she waits for the snow predicted by her eccentric neighbor Miss H. Wellington Grimes, her parents cope with problems of their own: Her father faces pressures in his new assignment in the narcotics squad while also dealing with guilt over his actions during World War II, and her mother is secretly saving money. As Christmas approaches, Kate learns a secret that threatens to alter her plans for the future. DeBoer’s debut is a sensitively crafted portrait of a young girl growing up at a pivotal time for women in America. Kate is a dynamic protagonist who has big plans for her future and refuses to let anyone tell her what she can achieve, and the tension between her ambitions and society’s expectations informs her relationships with her father, who tells her that “Girls become nurses,” and Mary, who plans to forgo college in favor of secretarial school. The Washington Heights setting is a significant part of the narrative, and the author brings it to life with vivid descriptions of the community and nuanced supporting characters. Most of the action takes place in Kate’s apartment building or in the streets of the surrounding neighborhood. The reader’s guide to life in the building is Flann McFarland, its superintendent, who regularly regales the children with fantastic stories of a kingdom in Ireland called “Shiloh.” Flann’s own tale of heartbreak is a poignant one. Another memorable resident is the aforementioned Miss Grimes, a woman who spent a colorful childhood in a traveling circus. That said, the novel would have benefited from sharper editing. At times, the prose is lyrical, particularly during a speech from Miss Grimes, in which she tells the protagonist, “Your life will at times, feel very much like a circus, Kate. The acts will come and go.” However, there are occasional misspellings of notable real-life people and places.

A charming, if uneven, coming-of-age tale.

Pub Date: Nov. 6, 2017

ISBN: 978-1-9737-7028-2

Page Count: 202

Publisher: CreateSpace

Review Posted Online: March 8, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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