A confident, if occasionally exhausting, familial and historical epic, coupled with a tender bildungsroman.

HIS GRANDFATHER'S HOUSE

Fritsch (Elizabeth Daleiden on Trial, 2016, etc.) unfurls a tortured familial epic set in an Illinois farming community.

Henry, the titular grandfather and patriarch of the Reinhart family, has a long, infamous history in the rural farming community where his father settled in the previous century. Henry’s brazen, lifelong ambition to take over every farm on the section of land where he was born, and to “never again have to share a fence with another human being,” makes members of the community—and his own family—suspect him of many crimes, including the murder of his own brother. His steadfast refusal to attend the local church and his continued acquisition of his neighbors’ farms by various, sometimes-dubious means doesn’t help his case. By the time he comes to care for his only grandson, Kurt Reinhart, in one of the houses on his land in 1947, he and his clan are seen as pariahs. Kurt lives and works alongside his stubborn but surprisingly open-minded grandfather; later, he investigates the violent rumors about his birthright while also coming to terms with his own homosexuality and the sexual repression in his family. Fritsch will still maintain readers’ interest with his sheer storytelling verve, as he brings vivid specificity to his fully imagined world. His folksy, easygoing style belies the painful secrets and violence at the heart of the novel and renders the bloodstained and tragic narrative much lighter and easier to read than it has any right to be. However, the ambitious tale occasionally gets muddled amid the minutiae of Reinhart family’s history and an exhausting cavalcade of thinly drawn secondary characters. The dialogue is also often tin-eared and exposition-heavy, and none of the characters speaks in a way that’s dissimilar to the narrator.

A confident, if occasionally exhausting, familial and historical epic, coupled with a tender bildungsroman.

Pub Date: Nov. 16, 2017

ISBN: 978-0-9978829-3-3

Page Count: 244

Publisher: Asymmetric Worlds

Review Posted Online: Feb. 9, 2020

Did you like this book?

No Comments Yet

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

Did you like this book?

No Comments Yet

THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

Did you like this book?

more