Despite anachronistic language, this inventive retelling of Hamlet resonates through clear plotting and strong...
Ophelia offers the true story behind what caused things to turn rotten in the state of Denmark in this postmodern take on Hamlet.
Fritsch’s (Cordelia Lionheart, 2018, etc.) work opens with an event labeled The Visit, which turns out to be King Fortinbras’ meeting with Ophelia, who had long been believed to be dead, at her cottage. Over the course of their conversation, which moves back and forth through time to follow the primary characters of Shakespeare’s play—Hamlet, Claudius, Gertrude, Laertes, Polonius, Horatio, and Ophelia herself, the eponymous daughter—the duplicitous nature of court life under the senior Hamlet and then Claudius is laid out. While Denmark starts a calamitous war with Norway, which is how Fortinbras enters the story, Ophelia and Horatio take note of the castle’s intrigues, discovering many secrets along the way and putting their free time to good use. It isn’t necessary to be familiar with Hamlet to enjoy Fritsch’s tale, but readers who know the Bard’s work will have a greater appreciation for the changes. Rather than a pitiable character driven mad by unrealized longing, this Ophelia is a strong, intelligent force who moves to improve her fate, as befitting the title character of the narrative. Purists may view these characterizations with distaste—no royal except for Fortinbras is portrayed in any way close to positively, for example, although Gertrude is given more agency here than in the play—but Fritsch deploys his changes with a sure hand, setting their behavior in a context that makes sense for the time. The narrative’s structure precludes suspense, but the story unfolds in a clear, straightforward fashion, with a solid grasp of where all the plot pieces are at any time. Much of the dialogue is rendered in an anachronistic fashion, with profanity that reads more 21st century than the period when the original play was written, which will occasionally jar readers. But the language gives the characters an immediacy and relatability that more classical portrayals sometimes lack and largely fits into the author’s feminist revamping.
Despite anachronistic language, this inventive retelling of Hamlet resonates through clear plotting and strong characterization.Pub Date: Dec. 3, 2019
ISBN: 978-0-9978829-7-1
Page Count: 156
Publisher: Self
Review Posted Online: Feb. 7, 2020
Kirkus Reviews Issue: March 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
