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THE BOYS

A MEMOIR OF HOLLYWOOD AND FAMILY

Fans of the Howards will revel in the details of their young ascents into the Hollywood spotlight.

Brotherly coming-of-age reflections from a storied life in show business.

The glowing foreword, by Bryce Dallas Howard, sets the tone for this forthright memoir from her father, Ron, and his younger brother, Clint. Both were primed for the entertainment industry from a young age by beloved Oklahoman parents Rance Howard and Jean Speegle, self-proclaimed “sophisticated hicks” who relocated to New York City in their youth and embarked on a “rich and strange” journey to realize their own showbiz aspirations. Written in alternating segments, the brothers offer crisp, mostly interesting insights into their separate trajectories into the entertainment business. Ron writes about being diligently prepped for screen tests near his fourth birthday by his father, who taught both sons to “understand a scene in an emotional language,” while Clint notes that both were spared becoming “Hollywood casualties” due to the values their parents instilled in them. The authors chronicle the ups and downs of lifetimes in acting—early on, Ron in the Andy Griffith Show and Happy Days, and Clint in an episode of Star Trek before Gentle Ben—as well as belonging to a household fully ensconced in the entertainment industry. Despite a competitive edge between them—which still remains, as Clint acts in many of Ron’s directorial productions—as they struggled up the Hollywood ladder, their familial bond remained strong. Both brothers add some behind-the-scenes snippets; for example, Ron discusses his newfound adulthood appreciation for Andy Griffith while he shot isolated scenes for Return to Mayberry. For the most part, the binary autobiographical approach works, with the alternating commentaries and interpreted memories from each author offering divergent yet complementary perspectives. A treat for movie and TV buffs, this dual memoir is wholesome and satisfying.

Fans of the Howards will revel in the details of their young ascents into the Hollywood spotlight.

Pub Date: Oct. 12, 2021

ISBN: 978-0-06-306524-6

Page Count: 416

Publisher: Morrow/HarperCollins

Review Posted Online: Aug. 23, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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