Perfect for Halloween storytimes—or any time at all.
A pair of brothers encounter a late-night terror in Keres’ spooky children’s tale.
This isn’t a picture book—not exactly. The narrator warns the audience that this story is “much too scary for PICTURES, so I plan to use WORDS.” While the words tell the story as text, they also, in Lin’s deft design, serve as illustrations. When the power goes out one stormy night, a scream wakes two brothers, who lie in bed, terrified. More unsettling noises follow, including creaks and cracks and thumps and growls. The presumed monster’s noises seem to fade, but then additional sounds make the boys curious enough to get over their fears and investigate (though they keep their blanket over their heads). When they reach the kitchen, the terror is undermined with a single comedic illustration that reveals all. (Some savvy readers may have guessed the identity of the culprit all along.) Mini-illustrations of each noise-causing event follow, laid out like a treasure map. The gorgeous use of words and shapes—the word door appears against a door’s outline, for example, and the word covers has a blanket over it—gives readers’ imaginations a chance to run wild. A kids’ picture book without traditional illustrations hasn’t been this much fun since B.J. Novak’s excellent The Book With No Pictures (2014)—Keres and Lin have created a joyfully creepy companion.
Perfect for Halloween storytimes—or any time at all.Pub Date: May 14, 2022
ISBN: 9798985911244
Page Count: 44
Publisher: Self
Review Posted Online: April 29, 2024
Kirkus Reviews Issue: July 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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