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THE SENSE OF TOUCH

STORIES

Insightful stories that illuminate the fine line between solitude and loneliness and the limited choices open to people who...

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2014

The quiet plains of the North Country serve as a perfect backdrop for Parsons’ moving debut, a collection of short stories whose characters often live deeply solitary, if not always lonely, lives.

In the introductory story, “Hezekiah Number Three,” a young Bangladeshi-American tries to escape the confines of his small-town South Dakota upbringing by going to MIT for college, only to return when his family falls apart. While the reasons for Naseem Sayem’s alienation might be readily attributed to his being the only “caramel-skinned Bangladeshi” in school, Parsons expertly shows how loneliness isn’t only a product of racial tension. In “Beginning With Minneapolis,” for example, Evie Lund Baker finds her marriage to a wheat farmer stifling enough to move to the big city, leaving her husband, Waylon Baker, to tend to the wheat by himself. But Evie is haunted by a sense of disillusionment even in Minneapolis, where she has stretched an interim job “like pie dough across the last eight years.” Now, she “question[s] if she would ever slice through to what was cooking underneath.” Elsewhere, the narrator in the title story, a native of Fort Worth, Texas, attends school at the University of Minnesota so he can get a “clean break in a place where I didn’t own a wisp of history.” But, as the saying goes, you can run but you can’t hide. History chisels these characters’ lives to such an extent that they often become strangers to themselves, having arrived at a station they never envisioned and can’t easily recognize. “Touch is silent,” says a character in “The Sense of Touch.” “And silence is the only way to contemplate infinite things.” The glorious prairie landscape serves to amplify this silence, the starkness a crisp metaphor for the characters’ myriad disappointments. Black Hills National Forest, the endless prairie, even snow-bound Minneapolis—each is a perfect setting for these achingly beautiful stories. Not all Parsons’ characters face existential questions, though; many are just fine moving along with a steely resolve.

Insightful stories that illuminate the fine line between solitude and loneliness and the limited choices open to people who straddle that divide.

Pub Date: April 30, 2013

ISBN: 978-0988383777

Page Count: 252

Publisher: Aqueous Books

Review Posted Online: June 13, 2014

Kirkus Reviews Issue: July 15, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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