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Return to Your Senses

SAVE YOURSELF BEFORE TECHNOLOGY KILLS YOU

A useful, if somewhat eccentric, guide to making oneself less vulnerable.

Eastman calls for a greater awareness of one’s individual surroundings, both physical and digital, in this debut work of self-improvement.

Protector to the stars, Eastman is mortified by how unnecessarily vulnerable people have allowed themselves to become via their unquestioning embrace of distracting technologies. “Our senses are designed to hear, smell, and see the world,” he writes, “yet we constantly tune the world out by smashing our ears against headphones, watching television at compulsive levels, and gluing our existence to smartphones.” A 12-year Army veteran who now operates a prestige security company catering to the rich and famous, Eastman remains well acquainted with all the ways strangers can harm one of his clients, be it in person through physical contact or remotely through accessing and sharing private information. With this book, Eastman seeks to increase people’s awareness of all the potential threats that exist in the world—threats to which individuals open themselves up through thoughtless, inadvertent behaviors—and offer strategies for shielding them from such hazards. Relying on a career’s worth of anecdotes from the security industry, Eastman shows how the reptilian brain, which governs basic instincts, can be used to help a person make the right decisions not just in dangerous encounters, but in business and romantic situations as well. Part memoir, part self-help guide, Eastman proposes a lifestyle in which  readers can become better in tune with the world around them in ways that enhance the experience of living while decreasing unnecessary risks of exploitation. Everything about the book is slightly over the top, from the back cover art (which features four photographs of Eastman), to the chapter titles (“Play Dates With Predators”), to the narrative tone, which is reminiscent of a self-defense instructor. Even so, there is an earnestness that filters through Eastman’s bravado. He seems to legitimately care about people’s safety, and his frustration with the ways in which individuals ignore their physical environments while simultaneously making themselves vulnerable in their digital environments is both understandable and illuminating. Everyone could use a little more awareness, and Eastman’s common-sense advice may help the reader acquire some.

A useful, if somewhat eccentric, guide to making oneself less vulnerable.

Pub Date: July 2, 2016

ISBN: 978-0-9977203-0-3

Page Count: 198

Publisher: Headstrong Press

Review Posted Online: Aug. 6, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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